Sunday, August 15, 2010

CITY LIGHTS BOOK STORE HOSTED A PUBLICATION PARTY FOR THE AUTHORS OF ECHOES ACROSS THE BLUE RIDGE


We turned right on Spring Street and drove to the top of the hill. City Lights Book Store in Sylva, NC. Believe me, the place was surrounded by cars and people. The party was hosted by Kathryn Stripling Byer, NCWN West's Program Coordinator, City Light Book Store and Spring Street Cafe.

Glenda Beall, NCWN West Marketing Manager.

Kathryn Stripling Byer welcomed Linda M. Smith from Hayesville, NC and Mary Michelle Keller from Young Harris, Georgia.
Delicious Food was spread and a champaign toast was made to the editor and contributors.

Chances are you were there, for I recall standing room only, one hundred or more writers paying their respects to one another for a job completed, a job well done.


And so once again, I felt "out of my body", beside myself with joy, with echoes across City Lights Book Store and Spring Street Cafe on the evening of August 8, 2010.


Most of these photos were taken by Peri Gordon Flohr. I'm sharing them with NCWN West Program Coordinator, Kathryn Stripling Byer, so you may see even more of them on the Netwest site.

Peri Gordon Flohr, writer (took most of these pictures, except for a few stolen by N.S. )


Janice Townley Moore of Hayesville, NC, Tipper Pressley of Brasstown, NC, William V. Reynolds of Murphy, NC, Rose Mary Royston of Blairsville, Georgia, Truman McKillip of Marble, NC and Joyce Reynolds of Murphy NC.

Poet Rose Mary Royston had three poems chosen for ECHOES ACROSS THE BLUE RIDGE:
"Dogwood Winter", "Neighbor Lady" and "The Possibliity of Snow". She read two poems in the open mic reading at the party.

Poet Clarence Lee Newton from Young Harris, Georgia, had two poems included: "Walking on Chatuge Dam at Dawn" and "Glad Hands at Lake Burton."
Glenda Beall's essay " The Trillium" found on page 31 of the anthology.

Poet Jayne Jaudon Ferrer had two poems in the anthology: "Street Scene" and "Homage."

Gary Carden is the author of an essay, " Listen to the Mockingbird" included in the anthology and also a short story: "Quincy and Rush."

Thomas Rain Crowe is the author of "Triple Negatives: Losing A Langauge" included in
Echoes Across the Blue Ridge. The essay contained two poems: "Here With Who Shot John" and"Crack Light".

Poet, Ellen Andrews authored two poems included the anthology: "Homing" and "Contradance in Brasstown".

Jennifer McGaha's essay "Looking Glass" was chosen for the anthology.

Fiction Writer, George Ivey wrote "Creekside Conspiracies".

Poet Rachel Bronnum had two poems included in the anthology: "The Goat Man" and "Emma". (here with Echoes Across the Blue Ridge editor Nancy Simpson)


Poet from Cherokee, Deborah Kinsland Foerst, authored two poems: " Corn Dance" and
"a gi li si."

Poet Joyce Foster, authored "A Taste of a Ripe Peach at Midnight."


Mary Michelle Keller recited her poem "As the Deer".

Linda M. Smith read "The Lapadry Artist", one of her poems in ECHOES ACROSS THE BLUE RIDGE.

Carole Richard Thompson recited her poem, " Returning", about twin falls returning after a long drought in the north Georgia Mountains. p 140. "I hear again/the liquid music of the mountains, spilling over ledges,/ and there, across a divide, stand two triumphant waterfalls."

Laughter. Carl Iobst read "Aunt Lucille Whups the Bear."
More Laughter: Mary Lou McKillip, story teller and writer read her anthology story, "If You Can't Run With the Big Dogs, Stay on the Porch."


Arnie Nielson read his story that made me warm all over, and made a tear roll out of my eye - "Sadie Underwood."

Robert Edward Fahey read "Mountain Journal" an excerpt from The Mourning After, a novel in progress.


Dick Michener had two short stories in the anthology: "Jesus Freak" and "The Final Gathering"

Janice Townley Moore read " Photos From Another State." She also had a second poem published in the anthology, "In September."


William V. Reynolds read "The Man on the Doorsteps." He is the author of many novels and the owner of Double Eagle Enterprises - BOOKS FOR THE COMMON MAN


Last but not least to read her story "The Spirit Tree" was Susan Lefler from Brevard, North Carolina.
In Memory of Richard Argo,( Feb. 21, 1944 - July 8, 2010) NCWN West's Monthly Prose Critique Group Leader for 15 years, the author of "The Apple Man" and " Turtle" . It seemed to me he was there with us at City Lights, reading his stories to us.

Where can I buy a copy of ECHOES ACROSS THE BLUE RIDGE?

City Lights Books, Sylva
and other book stores in the western Carolina mountains.
It is is available for purchase at only $16.00.





City Lights Book Store Hosts

Friday, August 13, 2010

SYLVA COFFEE WITH THE POETS FEATURES WILLIAM EVERETT

(William Everett at the July Coffee With the Poets)

On August 19 City Lights Bookstore will welcome poet and fiction writer William Everett as guest. Bill is a Netwest member, the author of eight books and many poems. He will read and talk about his journey as a writer, his creative process, and engage participants in their own ways of accessing their voices. The event will take place in the Regional Room of City Lights at 10:30. After a break for lunch, there will be a two hour writing workshop at 1:30. Participants should bring copies of one poem or excerpt of prose for discussion.

Bill maintains a website (www.williameverett.com) which I highly recommend visiting. Here is his announcement of his visit to City Lights next week. You will have to go to his site to read the second poem!

On Thursday, August 19, I will be reading and reflecting on my poetry at 10:30 am for the “Coffee with the Poets” group at City Lights Bookstore, Sylva, NC. The poet’s group is just one of several under the umbrella of the Netwest Mountain Writers, affiliated with the North Carolina Writers Network. (Check outwww.netwestwriters.blogspot.com.) We are convened by Kay Byer, a former NC Poet Laureate, who has graciously encouraged me to reflect on my thirty years of often hidden poetry writing. As I have been reflecting on this welcome task, two poems popped up that I thought I’d share with you. They both involve the quirky, unexpected way that poems elude our normal patterns of perception and expression. I thought you might enjoy them.

I Love That Poetry

Do you like poetry? I asked.

Oh yes, he said. Last year I went to see a poet

Maya Angelou and she was beautiful.

The curtain opened and the spotlight lit upon her hair,

not white, but lustrous gray.

She wore a long crushed velvet dress, much like a kaftan,

bell shaped sleeves descending to wide cuffs

embroidered with a band that looked like kinte cloth.

A long string of pearls draped down from her broad shoulders,

picking up the highlights in her hair.

She was surrounded by a bank of ferns that reached up to her waist

as she sat down among them.

The ferns were like extensions of the dress. They billowed like her hair.

Oh, it was gorgeous. I just love that poetry.

I’m glad you liked it, passed my lips. Perhaps you might cut off a little more

above my ears. I want to look my best tomorrow night.


Monday, August 9, 2010

A Sneak Peak into Echoes Across the Blue Ridge

Creekside Conspiracies
by George Ivey
As we walked side-by-side through the pasture’s knee-high grass, I paid more attention to Claude than where I stepped and soon set foot into something soft. I looked down. Cow shit. I continued walking, trying to keep pace on our short trip down to Bear Holler Creek.
I had first met Claude at a county commissioners’ meeting the week before. When the general public had their chance to address their elected officials, the commissioners had visibly stiffened as they braced themselves for the latest round of complaints.
A man in his sixties took the podium, neatly dressed and angry. “I’d like to know which group of sixth graders you hired to pave Shuttles Road last week. Or unpave it, or whatever the heck they did.”
The three commissioners leaned toward each other, comparing notes, and then Commissioner Earl Patton spoke. “Mr. Shuttles, what we did there is called ‘tar and chat.’ A new layer of asphalt costs an awful lot, and puttin’ down a layer of tar and toppin’ it with that chat—that real fine gravel—that extends the life of the road without costin’ us nearly as much.”
“Well, it’s worse than it was before,” Mr. Shuttles complained. “It used to have a nice smooth surface. Now it’s more like a gravel road. I want my paved road back.”
“It’s still a paved road,” Earl argued. “Give it a few days for the chat to settle in.”
Mr. Shuttles vented a while longer and then sat down in a huff.
For my part, I was glad to have Earl Patton focusing again on saving taxpayers some money. Anything was better than his repeated efforts to frame me as the central character of some global plot to ruin the lives of anyone anywhere close to the Akwanee River or any little stream tumbling toward it.
Sometimes I wondered if the surrounding mountains stood so large and tall that they made some people feel like the world was ready to cave in on them. Over a lifetime, some of those people, like Earl Patton, might then see their doom ready to come crashing in from any direction, whether from on high, from outside, or in the form of a struggling river conservationist. It was just a theory, though.
An elderly woman spoke next, complaining about local drug use in general and a neighborhood meth house in particular. The commissioners promised to look into it.
Then Claude jumped out of his seat and approached the microphone. He had the leathery face and hands of a full-time farmer, and his thick brown hair was matted down by a full day under a baseball hat. He took a deep breath and then let loose. “I want to follow up on Mr. Shuttles and his concerns ’bout that tar-and-chat job out his way. I was on that road just yesterday, and I have to agree with Mr. Shuttles that they did awfully poor work out there. Awfully poor work. If you ask me, they tired awful quick and then spent the rest of their time just chattin’. I’m not sure you got your money’s worth, Commissioner Patton.”
Everyone but the commissioners got a good laugh out of that one. Claude’s mouth twitched like a smile might break out, but he played along deadpan. “Now, irregardless of all that, my son’s in the sixth grade over at Cloud Valley Middle School, and I hope you’ll give him a cut of this tar-and-chat business next time around, ’cause he could use a little extra spendin’ money for baseball cards and whatnot.” More smiles and laughter from the audience.
Earl Patton snarled and started to turn red. “Claude, it’s called tar and chat, not tire and chat. And you know we didn’t use any child labor for that work, so why don’t you just sit your…self down, and let the next person speak.” Claude returned to his seat with a frown on his face but a sparkle in his eyes.
Claude walked over to me at the end of the meeting. “You’re Peter Bailey, right? The river man?”
“That’s right.”
“My name’s Claude Wagner,” he said, sticking out his hand and then shaking mine vigorously. “I’m interested in learnin’ more about those conservation projects you keep hawkin’. Why don’t you stop by sometime?”
I nodded my head and quickly agreed to visit, all too eager for any opportunity to help protect the area’s rare fish and mussels.
It was only a few days later that I was walking beside Claude with one boot covered in fresh, moist manure. We walked down a gradual slope until we reached the creek, a small tributary about ten feet wide, its banks free of sycamores or any other likely trees, heavily eroded, and pockmarked by the hooves of cattle. A fence stood another thirty yards away, paralleling the creek, with a dirt lane running along the far side and a high ridge looming beyond.
“Well, whuddaya think?” Claude asked.
I had learned by then not to speak my mind regarding a farmer’s land management practices or what I thought needed changing. “Maybe if you tell me more of what you have in mind, then I can tell you what might be possible.”
Claude looked around for a few seconds. “How ’bout some brook trout? Could we do here like you did higher up in the mountains last year and restore brookies along this creek?”
I jumped down into the creek bed, looked all the way downstream and all the way up. I leaned down and stuck my hand in the water to check the temperature. “Well, Mr. Wagner, down in this valley here, the water’s a bit too warm for brook trout, so that might not work.”
“First off, call me Claude, not Mr. Wagner,” he directed. “Second, I’d say you’re a lot smarter than most people give you credit for.”
It was a backhanded compliment, but I accepted it anyway. “I’m learning as I go.”
Claude joined me in the hot, shadeless sun of the creek bed, looking it over and scratching his head. “How ’bout those stream buffers? What might that involve?”
I looked around again, thinking about all the conservation practices I had learned about. “You’ve already got a boundary fence down the other side of the creek. We could run another fence down this side, with maybe one gap to give your cattle access to the water.” I looked again upstream. “Actually, you might have enough fall in the creek that we could put a pipe in upstream and let gravity take the water to a tank out in the lower end of your field.”
Claude looked at me like I might be crazy. “What good’ll all that do?”
I explained the values of keeping the cows from pissing and shitting directly in the creek and how excluding the cattle would allow the streambanks to grow up with grasses and weeds, which would help filter the runoff from the pasture. “You could put trees in, too, to help return more shade to the stream. That might not make it cool enough for brook trout, but it’d still be good for some of the other species of fish that prefer these small valley streams.”
“But what good’ll it do me?”
He was right to ask. I should have started with the benefit to the farmer, not the benefit to the river. “Your cows will spend less time standing in the creek and more time grazing, and that makes for a larger cow to sell later on.”
“Yeah, okay, that may be.” Claude massaged his chin with his thick left hand. “Now, if you would, repeat all that about what’d be growin’ between the fences.”
I was slowly learning not to be too pushy with any landowner. Soft sell. I gave him options: keep it in grass and cut hay off it, let it all go and let nature heal itself, or give nature a jump start by planting a few trees along the banks. “It all depends on what you want,” I said. “If you are interested, though, I’ve got some grant funds to help pay for the trees, and the fencing.”
Claude shook his head and held out his hands like two stop signs. “Hold your horses a second. Don’t go buyin’ any fence posts and barbed wire just yet. I’m still tryin’ to figure you out.”
“Me? What do you want to know?”
“Well now, as I’ve heard it told, the United Nations prefers a forested stream corridor as the ideal way to move their troops through an area without ’em bein’ noticed. So if we ain’t got trees to provide cover, those soldiers would be as obvious as those telephone poles over yonder. If you really want those troops here, Mr. Bailey, it seems like you should be insistin’ that I plant lots of trees, instead of you makin’ that part optional.” Claude leaned forward and studied me a little closer. “I might have to take back what I said earlier about you bein’ so smart.”
It had all seemed so promising. “Sorry, but I don’t have anything to do with the United Nations or any invading soldiers.” Was I really apologizing for that? I didn’t believe a word of those United Nations rumors. I just tried my best to stand apart from them.
“I suspected you’d deny it, but don’t you worry. Your secret’s safe with me.”
“I don’t have any secrets,” I insisted. “I’m here to offer what’s good for the river system—and good for your farming, too. The rest of it’s up to you. Your choice.”
Claude squatted down, picked up some small stones from the dry part of the streambed and tossed them one by one into the nearest pool of water. Then he stood back up and faced me. “Tell you what. I’ll do the fencin’, and the trees, too, but I want a ride in one of those black United Nations helicopters first.”
He was nothing if not persistent. “I don’t have any access to any black helicopters, Claude. Frankly, I don’t think the United Nations does either.” I tried not to sound exasperated.
Claude shook his head. “This sure is a disappointment.”
I was thinking the exact same thing. I thought about the cow shit I had stepped in earlier and couldn’t help but think it symbolic—some sort of omen I had failed to recognize.
We had reached an impasse, and I settled on watching a water strider pulsing along in the slack water at the stream’s edge. Then I heard a vehicle coming down the gravel road beyond the fence. I looked up and watched as the dust drifted behind the approaching red-and-white pickup. As the truck drew closer, Claude and I politely waved. Only then could I identify the man behind the wheel. It was Earl Patton waving back, but his expression was less than friendly.
Claude smiled. “Well now, I don’t think my neighbor looks too happy to see the two of us here today.”
Once the truck had passed, I turned to Claude. “Commissioner Patton’s your neighbor?”
“We’ve been neighbors since we were born. And he was a thorn in my side even then.”
“Yeah, he kind of has that effect on me, too.”
Claude nodded. “And that man is chock full of conspiracy theories. What a lunatic!”
The pot was calling the kettle black, and I couldn’t help but say something. “You don’t think all that talk about the United Nations and troop corridors and black helicopters might possibly qualify as a conspiracy theory? I mean that’s exactly the kind of stuff Earl Patton’s always talking about, with me somehow in charge of it all.”
“No kiddin’.” From the tone of his voice, he might as well have said, “You think I don’t know that?”
My head started to hurt. “Okay, I guess I’m missing something. Why were you asking me about all that United Nations stuff?”
Claude elbowed me in the side, perhaps meaning to be gentle, but nearly bruising me. “I was just havin’ fun with you is all.” He started laughing. “I really had you goin’, didn’t I?”
He laughed more at his little joke, and I offered an obligatory smile.
Claude was clearly pleased with his efforts, and he wiped a tear from his eye. “Oh, that was fun. You really take things too seriously. You know that?”
I nodded because it was true. The possibility of extinctions weighed heavily on me.
“If you’re gonna do any work with me here,” Claude said, “I’m gonna require that you have some fun.”
“I have nothing against fun,” I admitted. “What do you have in mind?”
“I figure if we do it just right, we might could sign Earl up for the crazy house.”
“Huh?”
“We protect the creek of course, but we can also drive Earl a little more nuts by makin’ him think a United Nations troop corridor is runnin’ up the southwest border of his property.”
The whole idea made me nervous. “I don’t know, Claude. I don’t want to provoke him.”
“Wake up, Pete. He’s already provoked. It can’t get any worse for you. Or me either.”
Despite Claude’s reassurances, I couldn’t help but cringe.
“Listen here, Pete. Even if I gotta take out a loan to pay for the fence and the trees myself, I’m gonna do it. I might even hire someone to fly a black helicopter over his farm a few times. I just thought you might enjoy gettin’ in on the joke.”
He let the offer hang out there, and I looked around for some sort of guidance. Cicadas buzzed rhythmically in the distance, and like the stream and every other natural thing nearby, they showed no interest in my predicament.
The smart thing to do was walk away. Why wave a stick at a hornet’s nest?
Or maybe the smarter thing to do was to add one more project to my very small list of accomplishments. The water would get a little cleaner. Earl Patton might see that a few trees and some stream fencing wouldn’t ruin his world. He might even calm down in the long run. Sure, it was wishful thinking, but it sounded good at the time.
“When should we get started?” I asked.
Claude smiled. “No time like the present.”
We paced off the stream from one end of Claude’s property to the other, then figured out the number of posts required, the number of H-braces, the yards of barbed wire, the length of piping needed for the off-stream watering source, and the number and types of trees to plant.
I advised Claude that we should wait until fall to plant the trees, but he wanted them in the ground right away. Claude also kept introducing every military term he could think of, and I simply bit my lip and played along. After a while, we settled on planting eight “scouts” that would prepare the way for the “tree army” that I would “deploy” in a cooler season.
Then Claude all but begged me to pay for a black helicopter to fly over the property of his “nemesary.” (I guessed the word was some amalgam of “nemesis” and “adversary.”) I refused his pleas. He pouted. I still refused. He agreed to the rest of the work anyway, and we finalized the deal with nothing more than a handshake.

For most of the next week, I spent my time helping Claude install the water line and tank, place the fence posts, and run the barbed wire. Then I planted four maples and four poplars from a local nursery, and with a little bit of extra watering, the scouts adjusted well to their new surroundings.
Every time I returned to Claude’s farm, though, I expected to find the trees cut down or simply dead from some sort of poison. I didn’t think Earl could possibly sit back and do nothing. But one day Claude assured me that although Earl might talk up a storm, he would never cross their boundary, because Earl held property rights as something almost sacred. In Earl’s world view, even a nemesary like Claude had the right to do something dumb on his own property.
Foolish or not, we had blocked the cows from the stream, and their shit and urine, too. Free from the daily beatings of hundreds of hooves, the bare streambanks began to turn green with grasses and weeds. And so what if Claude showed more interest in needling his neighbor than in protecting the stream? I had to take what I could get.

Several weeks later, as I sat in my office writing up quarterly reports, I heard a persistent thumping from outside—the percussive rhythm of a helicopter. The noise grew louder, then softer, then louder again as it carried out a grid pattern search for plots of marijuana hidden in corn fields and isolated mountain coves.
I wouldn’t have known the chopper’s purpose if I hadn’t run into Deputy Dwight Crawford in the grocery store earlier that week. Dwight was serving on the local drug control task force, and he mentioned the planned flyovers to me almost accidentally, really only long enough to confess his surprising fear of flying. I didn’t give it much thought at the time.
I walked outside as the unmarked helicopter flew overhead, and I waved hello to the pilot and Deputy Crawford. The chopper disappeared over the treetops, and I went back inside.
A half hour later, the phone rang. Claude Wagner shouted zealous words of thanks for the helicopter flying over his farm and Earl Patton’s.
“Claude,” I told him, “I’ve got nothing to do with that helicopter.”
He laughed big and replied, “Don’t you worry, Pete. Your secret’s safe with me.”
Born, raised, and again living in Western North Carolina, George Ivey has spent more than eighteen years protecting rivers, farmland, and other natural resources in North Carolina, Virginia, Tennessee, Georgia, and elsewhere. His writings have appeared in numerous publications, including Nature Conservancy, Iceland Review, and Smoky Mountain News. He published his first novel, Up River, in 2009. Find out more at www.georgeivey.com/upriver.

Saturday, August 7, 2010

NC GOVERNOR VISITS HAYESVILLE

Brenda Kay Ledford, member of NCWN-W, presented a copy of her poetry chapbook, SACRED FIRE, that was published by Finishing Line Press, to North Carolina Governor Beverly Perdue who visited Hayesville, NC on July 29, 2010.

Thursday, August 5, 2010

ECHOES FEATURED IN SYLVA HERALD

New anthology includes work by Byer, Carden, Crowe

By Lynn Hotaling

A new anthology of Appalachian writings includes work by several local writers.

“Echoes Across the Blue Ridge,” a collection of poems, stories and essays from the southern Appalachians, features poems by former N.C. Poet Laureate Kay Byer of Cullowhee; stories by Gary Carden of Sylva; and an essay by Tuckasegee writer Thomas Crowe.

A celebration of the book’s release from Winding Path Publishing is planned this Sunday, Aug. 8, from 5 until 8 p.m. at City Lights Bookstore. The volume was published with sponsorship and support from the N.C. Writers Network West, a chapter of the statewide N.C. Writers Network.

“Netwest members conceived this anthology, raised funds and brought it to fruition,” according to Nancy Simpson, the collection’s editor.

The anthology’s introduction is by author Robert Morgan, and its cover holds compliments from noted Southern writers Ron Rash and Lee Smith.

072910echoesacrossblueridgec
A new anthology, “Echoes Across the Blue Ridge,” a new poetry and prose collection, includes work by several local writers. A special book celebration is planned at City Lights Bookstore on Sunday, Aug. 8, from 5 until 8 p.m.

“Anyone who enjoys Appalachian literature will be delighted by this excellent anthology, particularly because it introduces the reader to a number of our region’s gifted though lesser-known writers,” Rash writes.

“Straight from the land of sky, song and story, another dynamite collection – strong and surprising – these mountain writers know how to howl at the moon,” adds Smith.

In addition to Byer, Carden and Crowe, local contributors to “Echoes Across the Blue Ridge include James Cox, Carl Iobst and Arnie Nielsen. The remaining writers and poets reside within the nine counties south of Asheville, on the Qualla Boundary and in bordering counties of Georgia and South Carolina.

In his introduction, Morgan says the anthology, which places the writing of poet laureates like Byer and former Georgia Poet Laureate Bettie Sellers with the work of newcomers, gives him renewed confidence in the future of Appalachian literature.

“Beyond the storytelling, the ballads, the songs, the fiddle music, there is something profoundly poetic about the Southern Appalachian Mountains,” Morgan writes.

Byer, Carden and Crowe all said they are pleased with the book and proud to be among its writers.

“This anthology is a labor of love by Netwest, especially by Nancy Simpson, the editor,” Byer said. “This project took two years to bring to completion, and the effort was well worth the time. Here we have a diversity of voices ranging from the well known to the relatively unknown. Robert Morgan’s introduction is stellar, and the testimonials by novelists Lee Smith and Ron Rash hit the bull’s eyes, especially Lee’s: ‘These writers know how to howl at the moon.’ I hope Jackson county lovers of the word will come out on Aug. 8 to hear these literary howls echoing across the mountains.”

Crowe said he appreciates the anthology’s role in allowing new voices to be heard.

“One of the things that this highly inclusive anthology does is bring new voices (and they are many with both natives and ‘new natives’ sharing their stories and talents during a period that can only be seen as a kind of renaissance of writers here in these hills and surrounds) before the general public and to the fore in terms of chronicling the new life of our region as well as delineating the work to be done to preserve and protect the beauty and sustainability of Western North Carolina for future generations,” Crowe said. “Having spent the majority of my life in these mountains, I am very pleased to be counted as one of the members of this writers community who writes passionately about this place.”

For his part, Carden termed the book “an impressive collection” and said he intends to invite its writers to read their work at the Liar’s Bench, his monthly storytelling and mountain culture event.

In addition to contributing several of his stories to “Echoes Across the Blue Ridge,” Carden donated the proceeds from a special production of his play “Birdell” to NCWN West to help with costs involved in publishing “Echoes.”

Carden said he was glad to help.

“It’s wonderful when art nurtures art and produces another kind of art,” he said.

The anthology is dedicated to the memory of Appalachian ballad poet Byron Herbert Reece (1917-1958) whose poetry collection, “Bow Down in Jericho,” was nominated for a Pulitzer Prize in 1950. “Echoes Across the Blue Ridge” includes several of Reece’s poems.

Participating writers will read from “Echoes Across the Blue Ridge: Stories, Essays, and Poems by Writers Living in and Inspired by the Southern Appalachian Mountains” during Sunday’s City Lights event.


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Tuesday, August 3, 2010

Order online from Double Eagle Enterprises

NCWN West thanks member, William V. Reynolds, author and publisher, for listing Echoes Across the Blue Ridge on his website,
Double Eagle Enterprises.
This is one more place online to order the anthology which sells for only $16.00. William Reynolds has a listing of his many novels and other products from his online store. Click here.

WRITERS' NIGHT OUT


WRITERS’ NIGHT OUT

Brenda Kay Ledford will read her poetry at Mountain Perk Coffee House in Hiawassee, GA on Friday, August 13.

“Writers’ Night Out” begins at 7:00 p.m. with Ledford’s reading. An open microphone follows for people who wish to read their work.

A native of Clay County, NC, Ledford’s work reflects her Appalachian heritage. She recalls her Hayesville High School English teacher, Mrs. Josephine Thurman, encouraged students to write what they know.

Ledford’s poem, “Lake Chatuge,” received the 2010 honorable mention award from Georgia Poetry Society. Her poem was published in the societies’ anthology, The Reach of Song.

She’s a member of Georgia Poetry Society, Byron Herbert Reece Society, Appalachian Writers’ Association, North Carolina Writers’ Network, North Carolina Poetry Society, and listed with A Directory of American Poets and Fiction Writers.

Her work has appeared in Our State, Journal of Kentucky Studies, Appalachian Heritage, North Carolina Humanities, Broad River Review (Gardener-Webb University), Chicken Soup For the Soul, Country Extra, Echoes Across the Blue Ridge, and other publications.

Ledford received third place from the North Carolina Press Association for Feature Writing in 1999. She also won the Paul Green Award from North Carolina Society of Historians for her three poetry chapbooks, Patchwork Memories, Shewbird Mountain, and Sacred Fire. Her books are available at the John C. Campbell Folk School Craft Shop, Phillips & Lloyd Bookshop and online at: http://www.amazon.com/.

Finally, those interested in participating in the open microphone, may sign up at “Writers’ Night Out.” Each person has three minutes to read prose or poetry. The event is free and open to the public. It also includes musical interludes.

Mountain Perk Coffee House is located at 195 Main Street next to Mull’s Motel in Hiawassee, Georgia. Come early for a light dinner. The café features espresso and other coffee drinks, smoothies, sandwiches, and sweets.

For more information, contact Mountain Perk owner, Mary Lawrence at: (706) 896-9385, or “Writers’ Night Out” coordinator, Karen Paul Holmes at: (404) 316-8466, or kpaulholmes@gmail.com.

Saturday, July 31, 2010

NC Writers' Network West Will Celebrate the Publication of Echoes Across the Blue Ridge.


The big publication party will be held at City Lights Book Store,
Sylva, North Carolina,
August 8, 2010, 5:00 pm.

NC Writers Network West Program Coordinator
Kathryn Stripling Byer
will host this event.

My heart wants to celebrate our mountain writers.

I hope to see you there.
--Nancy Simpson



Monday, July 12, 2010

Netwest Has Lost a Loyal and Active Member

Our deepest sympathy goes out to Judy, wife of Richard Speir Argo II, age 66, CWO 3, Coast Guard, Retired, who died July 8, 2010, at home in Murphy,NC of cancer. Richard was a long-time member of Netwest.

Born February 21, 1944, in Tampa FL, the first of two children, to Richard and Ann Argo, he was a gifted athlete and a man of many talents.

Richard joined the Coast Guard in 1962, after high school graduation. His career spanned over twenty years with duty stations up and down the East coast and Gulf region, and Marcus Island. He was trained as a boatswain mate, then rose through the ranks to captain his own ship, The US Coast Guard Cutter Kennebec. He retired in 1983, then attained a BA degree at Evergreen State College, Olympia, WA.

He and his wife, Judy, moved back East, where Richard enjoyed time as a white water raft guide on the Ocoee and Nantahala rivers. In 1994, Richard and Judy hand-built a cord wood house in the Hanging Dog Community in Cherokee County.

A man who believed in keeping fit, Richard entered the sports events in the Senior Games. He cross trained in biking, swimming, tennis, jogging, and kayaking. He won medals in swimming and tennis. On the grueling 700 mile North Carolina Bike Tour, From Murphy to Manteo, Richard rode his 12 speed Huffy amongst the high speed racing bikes of others. Because he had ridden and trained for hours on the mountain roads, he pedaled right past some of those fancy bikes going across Chunky Gal Mountain and beyond.



Richard was an active member of NC Writers Network West. He taught writing locally, read publicly and for many years led The NCWN West Prose Critique group until he had to resign due to his illness. He won awards for his literary work in the Senior Games, published short stories in Moonshine Review, Lights in the Mountains, and the new anthology, Echoes Across the Blue Ridge. Although his poetry was not as well-known as his short stories and essays, an award winning poem was published here on the Netwest Writers site.

Richard loved telling stories. He loved old jokes, making people smile, and all kinds of music. He quietly showed his compassion for others. His passion for environmental concerns revealed a caring for his fellow man, particularly in the sustainable house he built.

He was cremated, and asked that his ashes be scattered on the Outer Banks of NC. Richard did not want a memorial service, but requested that his family and friends plant a tree in his memory.

Richard’s essence seemed captured in the following poem sent by his friend Mary Ricketson during his illness:

I’m calling good vibes
speaking to the trees
asking the sun
and all the earth
to hold my friend close
impart faith and courage
while time is uncertain
to lend wisdom
when time comes
to chart a course.

(Most of this post comes from the obituary for Richard written by Mary Ricketson)


Read Richard's essay on critique .

Our members who wish to send condolences to Judy Argo will find Richard's address on our membership list. If you need further information, please contact glendabeall@msn.com .

ECHOES ACROSS THE BLUE RIDGE: Rosemary Royston


For the next couple of weeks, I will be featuring selected authors from ECHOES ACROSS THE BLUE RIDGE on my Here, Where I Am blog.




The first author is Rosemary Royston. Please drop by and enjoy!

Sunday, July 11, 2010

Quest for Publication

Beginning novelists looking to get published, I recommend you follow Pat Meese Davis' blog, http://novelistapproach.blogspot.com/ as she takes the steps you will need to make on your quest for publication. Pat's blog is new, only three posts so far, but that is why I think it is time to start following Pat who is looking for an agent for her Young Adult novel. Comment on your trials and errors in finding an agent. Your remarks may help others.

Pat is a native of Brevard, NC who lives in Pennsylvania where she has earned her PhD. She is a writer who has spent all her time writing, and is now ready to take the next steps.

Comment on your thoughts about what Pat is doing to get her book out there.

Friday, July 9, 2010

Coffee With Poets: Jeannette Cabanis-Brewin


On Thursday, July 15, Coffee with the Poets at City Lights in Sylva will feature guest Jeannette Cabanis-Brewin, a business writer and editor by vocation. She writes for a variety of print and online publications on business topics, and has been co-editor or co-author of several business books, including two winners of the Project Management Institute’s literature award. On the avocation side of the ledger, her poetry has been published in The Nomad, the Atlanta Review, and Appalachian Heritage, in the anthologies Tree Magic (SunShine Press, 2004), The Gift of Experience (Atlanta Review, 2005), Immigration, Emigration, Diversity (Chapel Hill Press, 2005), and The Moveable Nest (Helicon Press, 2007). She was a finalist in the Atlanta Review’s poetry competition in 2000 and 2005, and in the 2000 Greensboro Awards. Her chapbook, Patriate, won the Longleaf Press Open Chapbook Competition and was published by Longleaf in 2007. She lives and works in the forks of Blackbird Branch on the eastern slope of Cullowhee Mountain.


All Netwest members are cordially invited to attend. City Lights' Coffee With Poets is held on the third Thursday of each month.

Wednesday, July 7, 2010

North Carolina Literary Review: NC Appalachian Literature


The new issue of NC Literary Review will be out at the end of this month. Here is a list of contents for our Appalachian feature. A reception will be held at Malaprop's Bookstore on August 14. Please join us.
Margaret Bauer, Editor



NORTH CAROLINA APPALACHIAN LITERATURE
The Land Breakers, a novel excerpt by John Ehle art by Will Henry Stevens
"wonderfully simple, yet complex": The Mountain Novels of John Ehle, by Terry Roberts art by Will Henry Stevens
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Love Affairs and Family Feuds in the Smoky Mountains, an Ehle review by Jonathan Yardley

Lion on the Hearth, a novel excerpt by John Ehle

Cry Naked, Purple Hands, Dew, and Listening to Clouds, four poems by Robert Morgan art by Will Henry Stevens

Robert Morgan’s Peripheral Vision: "the point beside the point" in The Hinterlands, by Sylvia Bailey Shurbutt== photography by Horace Kephart

As If She Listened, a poem by Laurence Avery photography by Horace Kephart

"We’re still here": Eddie Swimmer on Cherokee History, Life, and Outdoor Drama in the Appalachian Mountains, an interview by Gina Caison

The Gathering, a poem by Joyce Compton Brown

"what I feel I was put on the planet to do": An interview with Wayne Caldwell, by Jerry Leath Mills

Looking Back into the Undergrowth, a review of Wayne Caldwell’s two novels, by Chris Green

Ron Rash’s Serena and the "blank and pitiless gaze" of Exploitation in Appalachia, by Joyce Compton Brown with Mark Powell photography by Horace Kephart

"Look here, world, look who this woman [is]": Silas House Interviews Pamela Duncan, introduced by Joyce Compton Brown

Drought Days, a poem by Kathryn Stripling Byer art by Noyes Capehart

Hook and Eye, a short story by Kathryn Stripling Byer photography by Rob Amberg

Mountain Tunes and Tartini Violin Concertos, a review of Julia Nunnally Duncan’s new novel, by Mae Miller Claxton
Into a Strange Country, a review of Tony Earley’s Jim sequel, by Tim Edwards art by Will Henry Stevens

Praise Poem for Our Mountains, a poem by doris davenport photography by doris davenport

Resplendent, Ingenious Forms, a review of Fred Chappell’s new poetry collection, by John Lang art by Will Henry Stevens

The Poetry of Southern Appalachia, a review by Jeffrey Franklin photography by Rob Bousa

Sorry, a poem by Michael McFee art by Will Henry Stevens

Controlled Burn, a short story by Charles Dodd White photography by Rob Amberg

A Cozy Conspiracy, a review of Kenneth Butcher’s The Middle of the Air, by Brett Cox photography by Rob Amberg

Breaking Line, creative nonfiction by Christopher Wrenn photography by Rob Amberg

Blind Faith, the 2009 Doris Betts Fiction Prize story, by David McGuirt

Sunday, July 4, 2010

Updated Information on Mountain Writers in Waynesville, NC

Mountain Writers meets the second Tuesday of each month at 6:00 pm at Blue Ridge Books, WaynesvilleNC.

Call 828-235-2003 for more information. MountainWriters@charter.net

http://www.mountainwritersnc.com/Mountain_Writers_of_North_Carolina/Welcome.html



Our next meeting will be a special joint meeting of Mountain Writers of NC and Netwest Mountain Writers and Poets. Don’t miss “Lunch with the Authors” on July 13th. We’ll meet at noon for lunch at the New Happy Garden restaurant in the Waynesville Shopping Plaza close to Staples.
Mark your calendar for the Mountain Writers annual picnic. August 21 is the tentative date. That will take the place of the August meeting.

DO YOU HAVE ANY BAD WRITING HABITS THAT HOLD YOU BACK FROM PUBLISHING?

What are your bad writing habits?

Why is your manuscript still in your computer and not in the hands of an editor or publisher? What keeps you from submitting your work? What stops you from completing that book or story you want to see published?

Some of the bad habits many of us can’t seem to break include the following:

Self Editing – Do you read over each sentence before you write the next one? Do you have to correct any punctuation of spelling errors before you can go on? Break this habit now. Let your thoughts, your creative mind flow like a moving stream. Let it dictate the words you spill out on the page. After your story is on paper there will be plenty of time to go back and edit.

Don’t stop until the story is on the page. -- It has been said there are no great writers only great re-writers. We must revise and that takes time. But don’t revise your work until your authentic voice has disappeared. 1.Write. 2. Put away for a while. 3. Read. 4. Revise or rewrite. 5. Put it away again.
But you have to let your manuscript go, no matter how afraid you are that it is not perfect.

Second-guessing yourself about your story. – I’ve been there and I know. After the story is done, you become afraid that the story is all wrong and is not ready to go just yet. You think you have to change the main character in some way to make him better, or change the direction of the story. Suddenly the whole thing is just too much to fix and the manuscript ends up never seeing the light of day.


Fear of the consequences if you mail your manuscript. – You ask yourself these questions: What if my work is not good enough, if it is really terrible and is rejected and no one will ever want it? Can I stand the embarrassment, the personal rejection I will feel, and will I ever write again? What if I am a complete failure?
Remember, the rejection is only one person’s opinion. Don’t take it personally. The next time you submit your work it could hit on the desk of just the right editor, the one who loves it. But this will never happen if the manuscript stays hidden in a drawer or lost in a file on your computer. Don’t let fear of failure stifle your writing.

Do you have any bad habits that hinder your submitting your writing? Let us hear your thoughts on this subject.

Glenda C. Beall is Director and Instructor of writing classes at Writers Circle in Hayesville, NC. Visit her online here.