Friday, June 4, 2010

STUDENT POET OF THE DAY:LIA WALDRUM

(Blue Bottle in my kitchen window)
Lia Waldrum is a 5th grader at Cullowhee Valley School. The title of her poem asks, "What Is Blue?" She answers with a run of images that are a delight to read and visualize. Any of these lines could be the first line of a new poem, don't you think?
WHAT IS BLUE?
Blue is the sky on a winter evening.
Blue is a cut of sapphire sparkling on a ring.
Blue is slow and tired.
Blue is the ocean where the turtle glides.
Blue is the night, bright with glittery stars.
Blue is a mountain peeking up at the sky.
Blue is the little butterflies that flutter in the Spring.
Blue is a marker sliding silently on the board.
Blue is a leather belt.
Blue is a beautiful bead on an Indian vest.
Blue is a pair of jeans, cozy and worn.
Blue is a Spring nightgown.
Blue is a child's stuffed animal.
Blue is the wild wind whipping around the house.
Blue are the little curtains in the parlor.
Blue are the shutters on a window.
Blue is an icicle--drip, drip, dripping.
Blue is a tasty blueberry.
Blue is a humpback whale, yawning in the deep.
Blue is the sugar icing on a cake.
Blue is the wrapping on a birthday present.
Blue is paint on a wall.
Blue is a blank TV screen.
Blue is nail polish.
Blue is holding your breath too long.
Blue is a stained glass picture.
Blue are the lines on notebook paper.
Blue is a pioneer bonnet.
Blue is a carefully knitted scarf.
Blue is a sucker.
And blue is a parakeet.
by Lia Waldrum
5th Grade
Cullowhee Valley School
Lia's parents are Joe and Nelia Waldrum in Sylva, North Carolina.

Thursday, June 3, 2010

CONVERSATIONS: William Everett

I'm trying a new feature on the blog today, one tentatively called Conversations, in which a writer's offering is posted for comments and responses. These need not be "critiques," as such, though I think most writers would welcome intelligent suggestions. Rather, this is to be a way for authors here in the mountains and elsewhere to engage each other in lively discussions of their work. The first feature is a poem by William Everett, novelist, essayist, scholar and poet. His website is www.williameverett.com. PLEASE LEAVE YOUR COMMENTS. LET'S SEE IF WE CAN GET A CONVERSATION GOING ACROSS THESE RIDGES!

She is ready,

purse packed,

hands pocketed in resolution,

standing by her charge.

Will she fly through puffball clouds,

piercing azure heavens like a needle?

Or will she cruise majestically across the land,

blowing tumbleweeds and sagebrush in her wake?

Perhaps the sea shall feel the power of her legs,

the undulations of her mermaid form.

For she is ready,

her glowing hair pinned sleekly back,

the keys clutched in her hand.

She is the girl with the ’55 Plymouth fins.

---William Everett

Wednesday, June 2, 2010

COFFEE WITH THE POETS AT CITY LIGHTS, FEATURING GLENDA BEALL






COFFEE WITH THE POETS AT CITY LIGHTS, FEATURING GLENDA BEALL


City Lights Bookstore is pleased to announce a program for readers and writers
on the third Thursday of each month, beginning June 17. Coffee with the Poets
will feature a guest poet each month, including an informal discussion and
reading. The program will begin at 10:30, with coffee and snacks provided.
Spring Street Cafe welcomes all attendees to come downstairs for lunch
afterward.

The inaugural event will feature Glenda Council Beall of Hayesville. Glenda
has published poetry, personal essays, memoir, and fiction, and she is former
Program Coordinator for the North Carolina Writers’ Network West (NetWest).
Her background is in education and she continues to teach adults through
community services at Tri-County Community College and at the John C.
Campbell Folk School in Brasstown.

Glenda's book of poetry, Now Might as Well be Then, was recently published by
Finishing Line Press. Her blog, Writing Life Stories, at
http://profilesandpedigrees.blogspot.com shares some of her own stories and
suggestions for writing your own.



City Lights Bookstore
828-586-9499
3 East Jackson Street
Sylva, NC 28779
more@citylightsnc.com
Open 9 a.m. to 9 p.m. Monday-Saturday, and 10 a.m. to 3 p.m. Sundays
Browse and shop online at http://www.citylightsnc.com

From "My Laureate's Lasso" Poet of the Week:

Glenda Council Beall's new chapbook, Now Might As Well Be Then, from Finishing Line Press (http://www.finishinglinepress.com/) deserves many readers. I was honored to write a blurb for it. Glenda has worked wonders for NETWEST as Program Director and deserves our thanks for supporting the literary arts in Western North Carolina. Her new book would make a wonderful Christmas gift for family members. Several in my family will have this chapbook in their stockings!


Often those "supporters" are so busy making sure other writers find what they need to become better at the writer's craft that they don't have time for their own work. That's why I'm so pleased to honor Glenda as Poet of the Week. She's a great SW Georgia girl, and, naturally, I believe those girls have a leg up when it comes to writing poetry!




Here are a few of my favorite poems from her new chapbook.


Woman in the Mirror


What happened to seventeen,

when I rode my mare

free as the river flows,

jumped over downed trees

splashed through narrow streams?


What happened to twenty

when I danced in the moonlight,

my slender form dressed in a gown

white and shimmery as pearl?


What happened to thirty

when I rode my Yamaha

down fire roads, mountain trails,

long black hair flying free?


What happened to those days

I ask the woman in the mirror.

Gone, she says, all gone, unless

you remember it.


In The Dark



Lying in bed, my cheek against your shoulder,

I remember a night, long ago, on your boat.

I was afraid. I felt too much, too fast.

But love crept over us that summer

like silver fog, silent on the lake.

We were never again the same.


We stepped like children through that door that led

to long passages unknown, holding hands, wide-eyed, but brave.

Here I am years later, listening to your soft breath

and feeling your warm smooth skin.

In the dark, now might as well be then.



My Father's Horse



Stickers tear my legs, bare and tan

from South Georgia sun. Long black braids

fly behind me as I sprint like a Derby winner

down the path.


Harnessed with hames, bridle

and blinders, Charlie plods down

the farm road. Tired and wet from sweat,

he is perfume to my nostrils.


My father swings me up. I bury

my hands in tangled mane. My thighs

stick to leather and damp white hair

high above the ground.


I want to sing in glorious joy,

but only croon a child's nonsensical

words, grinning for a hundred yards

between field and barn.


My father's arms are strong.

His hands are gentle. The horse

is all we ever share. For he has sons

and I am just a daughter.


A Long Lost Year

Music making was his talent

taken for granted like water

gushing from our well until

the surgeon’s knife nicked a nerve.


The purple wreath of grief hung

over us until one day above the strum

of his guitar, his notes rang true ?

a lovely instrument restored.


We wept with joy.

His voice is who he is,

has

always been.


He sings to me again, that same

rich baritone that won me on that first

day we met. I listen with a new ear,

and like a Sinatra fan,

I mellow out.









Summer Writing Residency ARE YOU INTERESTED?

>From July 23–25, the North Carolina Writers’ Network will offer the 2010 Squire Summer Writing Residency, a full weekend of intensive workshops at Peace College in downtown Raleigh. The Residency is an intimate, affordable alternative to large conferences, and a rare opportunity to create bonds within the writing community.

Sam Ragan Award-winner David Rigsbee, a prolific and erudite NC poet and professor who has been mentored by such luminaries as Carolyn Kizer and U.S. poet laureate Joseph Brodsky, will work with poetry registrants on the problems of “Passion and Restraint in the First-Person Poem,” using examples of persona, authenticity, form, and authority from contemporary poets. This workshop gives registrants the time and focus to pay attention to the details in their work and to stay concrete and clear with language.

Past attendees have said the following about the Residency:

"The entire group brought a sense of community to my writing that I hadn't had before."—Ivy Rutledge

"I found an open, welcoming community of people who immediately accept anyone who has a desire to write."—Karen Price

More information about the Squire Summer Writing Residency can be found at www.ncwriters.org or by calling 336-293-8844.



--
Virginia Freedman
Administrative Director, NC Writers' Network
PO Box 954, Carrboro, NC 27510
(919) 251-9140

Tuesday, June 1, 2010

Student Poet of the Day: Abrianna Berry


Last fall the Great Smoky Mountains Bookfair sponsored a Poetry Contest for K-12 students in Macon, Haywood, Jackson, and Swain Counties. The winners were posted on my NC Laureate blog in November. Going through the rest of the poems submitted, I was struck by how many were just plain good, worthy of being enjoyed by readers of this blog. For the next two weeks I will be featuring one of these young poets daily. Each one will receive a small "thank you" from me. Please stop by everyday to read their work.

This first poem is by Abrianna Berry, who lives in Franklin, NC, and is in the sixth grade at Macon Middle School.

Squirrel Hunting With My Dad

We went up the mountain where
My dad hunted when he was little.
It was cold the wind
Whipping up the holler, trees shaking.
Me and Daddy went to the top of the mountain.
We sat down and waited and had
A silent talk.

*******
by Abrianna Berry,
daughter of Mark and Stephanie Berry
Franklin, North Carolina

Someone teaching in the 6th grade at Macon Middle School is doing a wonderful job encouraging students to write from their most cherished experiences. This young poet presents a moving and thoroughly believable scene; the wind whipping up the holler uses sound to make us feel the effects of the cold and the climb to the top of the mountain. The "silent talk" shows a depth and maturity beyond a sixth grader's years. Abrianna is already a poet, and I hope she continues to read poetry and to write it.

WRITERS' NIGHT OUT TO FEATURE KAREN HOLMES


HAVE A FUN EVENING AT WRITERS’ NIGHT OUT, JUNE 11

HIAWASSEE – June 1, 2010 – Come hear authors reading their work at the new monthly event, Writers’ Night Out at Mountain Perk Coffee House in Hiawassee, GA. This month, Karen Paul Holmes of Hiawassee/Atlanta will read her poetry on June 11 at 7:00 p.m. Her reading will be followed by an Open Microphone for those who’d like to share their own poetry or fiction. These light literary and musical evenings take place on the second Friday of every month from 7 p.m. to 8:30 p.m. Please arrive early as the event has drawn a full house in its first two months.
Karen Paul Holmes is an award-winning business writer who began focusing on poetry after moving to the Blue Ridge Mountains. Her publishing credits include journals such as Poetry East, Atlanta Review and Sow’s Ear Poetry Review and anthologies, including the upcoming Echoes Across the Blue Ridge: Stories, Essays & Poems Written by Writers Living in & Inspired by the Southern Appalachian Mountains. Karen enjoys reading her poetry in public, classical music, Ikebana and contra-dancing. She’ll be teaching a writing class at John C Campbell Folk School next January.

Those interested in participating in the Open Mic will have a chance to sign up at the event. Each writer will have three minutes to read fiction or poetry. The evening, which also includes musical interludes, is free and open to the public.

Mountain Perk Coffee House is located at 195 Main Street, next to Mull’s Motel. The café features espresso and other coffee drinks, sandwiches and sweets.

For more information, please contact Mountain Perk Owner, Mary Lawrence at (706) 896-9385, or Writers’ Night Out coordinator, Karen Holmes at (404) 316-8466 or kpaulholmes@gmail.com.

Wednesday, May 5, 2010

Rosemary Royston, poet, will read on May 12 at Mountain Perk


Reading with Scott Owens on Wednesday evening, May 12, is Rosemary Royston, poet from Blairsville, Georgia. Her work has been published in The Comstock Review, Main Street Rag, Momwriter’s Literary Magazine, Public Republic, and Dark Sky Magazine. Rosemary has led poetry workshops at the Institute for Continuing Learning at Young Harris College, and has spoken to young adults, on more than one occasion,about the wonders of poetry. She was the 2004 recipient of first and third place in poetry, Porter Fleming Literary Awards, and is currently at work on a poetry collection। She holds an MFA in Writing from Spalding University.
Rosemary is a preacher's kid. She often uses this background for her poetry. Although she said she began writing poetry mostly for therapeutic reasons, she has grown far beyond that.
In June, she will teach a class for Writers' Circle.
Space, Time and Tone: The Power of Humor in Contemporary Poetry. This class will examine how humor in poetry allows the poet to go into unexpected territories, allowing for both release and examination of sensitive issues. Contact Glenda Beall at nightwriter0302@yahoo.com for more information on the class.
The evening of poetry at Mountain Perk , 7:00 p.m. on May 12 also includes open mic for anyone who wants to share original poetry or a short selection of original prose. This is an evening writers and those who enjoy good writing don't want to miss. See you there.





Monday, May 3, 2010

Scott Owens to Visit Far Western NC and North Georgia


Interview with Scott Owens,

Poet and Editor of Wild Goose Poetry Review
By Glenda C. Beall

I recently interviewed Scott Owens, well-published and highly acclaimed poet from Hickory, NC. In his book The Fractured World, Scott explores his childhood in which he suffered physical and emotional abuse and the impact this had on his life.
He says of this book, “I have found it very cathartic to write about the darker parts of my life, as you put it. I have used poetry for a long time as a sort of self-therapy, but I have also known that writing about these things was one way to help others who had been through similar experiences to know that they were not alone, and to help those guilty of the negative actions and attitudes portrayed in the book to understand that it's not okay, that what they do causes a lifetime of irreparable harm.”
In his book, Paternity, he writes about his relationship with his little daughter Sawyer.
“Sawyer is my only biological child. I have two stepsons who are both in college now, and I had a stepson with a previous wife for a few years as well.
The first new poem in this book was an occasional poem written for the Jewish ceremony of naming the new baby. The next one was written after holding her one night and crying as I realized the clichés about being willing to die for someone were not just clichés.”
He went on to say, “A lot of my poems are attempts to convey the emotional intensity of a particular moment. In a larger sense, I think I wanted to continue with these poems to finish what I had started in The Fractured World. That book ends with the disintegration of Norman, my alter ego who represents the fear and alienation that result from child abuse.
Paternity illustrates what can happen after one gets past one's past. I guess you could say that Paternity balances the scales.
Scott grew up part of the time on his Papa's 7-acre farm, part of the time in various mill villages in a nearby small town, part of the time in trailer parks around military bases, and part of the time in military housing. His parents were married and divorced numerous times, including three times to each other.
“If I include all of my stepbrothers and sisters, then my family size would rival the Duggars, but most of the time my family was my mom, myself, my three brothers, and whatever "Daddy" happened to be around at the time,” Scott said.
I asked him how his childhood affected his writing as an adult and he said, “I suspect my writing is what allowed me to become an adult, both literally and figuratively. Life has not been great for my three brothers. They have all struggled to maintain sanity and security in their lives. On the other hand, I graduated, went to college, became a teacher, and pretty much stayed out of trouble. And the only real difference between me and them is that I read and started writing at a young age and frequently went to books when I needed to get away from a difficult reality. I would say my childhood gave me the motivation and the reason to write. I see my writing as my way of redeeming that childhood.

“Your poetry is accessible and can be understood by the average reader. Do you think our modern poets, like you, are bringing poetry back to the people?" I asked the poet.
" … I think with the proliferation of poetry readings there is a growing tendency to be a bit more accessible than a lot of poetry had been for the last 25 years or so. Personally, I don't see the attraction in being needlessly obscure. I have plenty of difficult poems, but I hope that even with the most difficult the poem achieves some level of emotional or intellectual effect upon a good reader.”

I asked Scott Owens to tell us why we should come to hear him read his poetry at Coffee With the Poets, Wednesday, May 12 at 10:30 a.m. and at Mountain Perk in Hiawassee, GA that evening at 7:00 p.m. I like his answer.

“To paraphrase Dr. Williams, because while it is difficult to get the news from poetry, people die miserable every day for lack of what is found there. I do think reading and writing poetry can make a difference in everyone's lives. Poetry is mostly about seeing connections that aren't otherwise immediately apparent. That's a good skill to develop. It helps us take fewer things for granted and recognize the value of things through their connectedness to other things.
A big part of that connectedness, as you've alluded to in your questions, is the connectedness of one human life to another. This is what allows us to achieve catharsis by watching, listening to, or reading about someone else's experience. We recognize our own story in theirs and are able to learn from it. Then, of course, there is the best reason of all, because it will be fun.”

Phillips and Lloyd Books hosts a book signing for Scott from noon until 1:00 p.m. right after Coffee with the Poets on May 12.
Curiosity Shop Books in Murphy, NC will host Scott for a book signing at 2:00 p.m. May 12.
Stop in to meet him and pick up one of his books.

Contact Glenda at glendabeall@msn.com or 828-389-4441 for more information.

Saturday, May 1, 2010

POETS OF THE DAY: SIX POETS FROM THE MOUNTAIN SOUTH


SIX POETS FROM THE MOUNTAIN SOUTH was recently published by LSU Press. As my last Poet of the Day feature, I'm including three poets from that volume--Jim Wayne Miller, Jeff Daniel Marion, and Fred Chappell. The LSU catalog copy appears below.

In the most extensive work to date on major poets from the mountain South, John Lang takes as his point of departure an oft-quoted remark by Jim Wayne Miller: “Appalachian literature is—and has always been—as decidedly worldly, secular, and profane in its outlook as the [region’s] traditional religion appears to be spiritual and otherworldly.” Although this statement may be accurate for Miller’s own poetry and fiction, Lang maintains that it does not do justice to the pervasive religious and spiritual concerns of many of the mountain South’s finest writers, including the five other leading poets whose work he analyzes along with Miller’s.

Fred Chappell, Robert Morgan, Jeff Daniel Marion, Kathryn Stripling Byer, and Charles Wright, Lang demonstrates, all write poetry that explores, sometimes with widely varying results, what they see as the undeniable presence of the divine within the temporal world. Like Blake and Emerson before them, these poets find the supernatural within nature rather than beyond it. They all exhibit a love of place in their poems, a strong sense of connection to nature and the land, especially the mountains. Yet while their affirmation of the world before them suggests a resistance to the otherworldliness that Miller points to, their poetry is nonetheless permeated with spiritual questing.

Dante strongly influences both Chappell and Wright, though the latter eventually resigns himself to being simply “a God-fearing agnostic,” whereas Chappell follows Dante in celebrating “the love that moves the sun and other stars.” Byer, probably the least orthodox of these poets, chooses to lay up treasures on earth, rejecting the transcendent in favor of a Native American spirituality of immanence, while Morgan and Marion find in nature what Marion calls a “vocabulary of wonders” akin to Emerson’s conviction that nature is the language of the spiritual.

Employing close readings of the poets’ work and relating it to British and American Romanticism as well as contemporary eco-theology and eco-criticism, Lang’s book is the most ambitious and searching foray yet into the worlds of these renowned post–World War II Appalachian poets.

John Lang, professor of English at Emory & Henry College in Emory, Virginia, is the author of Understanding Fred Chappell and editor of Appalachia and Beyond: Conversations with Writers from the Mountain South.

(Jim Wayne Miller)


JIM WAYNE MILLER


A HOUSE OF READERS

At 9:42 on this May morning
the children's rooms are concentrating too.
Like a tendril growing toward the sun, Ruth
moves her book into a wedge of light
that settles on the floor like a butterfly.
She turns a page.
Fred is immersed in magic, cool
as a Black Angus belly-deep in a farm pond.

The only sounds: pages turning softly.
This is the quietness
of bottomland where you can hear only the young corn
growing, where a little breeze stirs the blades
and then breathes in again.

I mark my place.
I listen like a farmer in the rows.

from The Mountains Have Come Closer, 1980 ©




JEFF DANIEL MARION

Reunion

Last night in a dream
you came to me. We were young
again and you were smiling,
happy in the way a sparrow in spring
hops from branch to branch.
I took you in my arms
and swung you about, so carefree
was my youth.

What can I say?
That time wears away, draws its lines
on every feature? That we wake
to dark skies whose only answer
is rain, cold as the years
that stretch behind us, blurring
this window far from you.

from Ebbing and Flowing Springs

FRED CHAPPELL


Spotlight


The hamlet sleeps under November stars.
Only the page of numerate thought toils through
The darkness, shines on the table where, askew
And calm, the scholar's lamp burns bright and scars
The silence, sending through the slot, the bars
And angles of his window square, a true
Clean ray, a shaft of patient light, its purview
Lonely and remote as the glow of Mars.


from Shadow Box, LSU Press

Friday, April 30, 2010

POET OF THE DAY: MARY ADAMS




My friend Mary Adams is such a good poet that words fail me. But they never seem to fail her.
So, it's not surprising that Spring Street Editions, in collaboration with Ash Creek Press in Portland Oregon, has launched its chapbook series with WCU professor Mary Adams’s Commandment. Mary’s first book, Epistles From the Planet Photosynthesis, was published in the University of Florida Press’s poetry series. Her work has earned her a fellowship from the National Endowment for the Arts, among other honors. These new poems show her to be one of the finest formalists writing today. Former NC Poet Laureate Fred Chappell says, “I have read with great admiration and genuine enjoyment the poems in this chapbook. “ He praisesThe intricate overlaying of separate landscapes and timeframes in the poems, their often “Dantean” focus, and concludes by saying that he will be re-reading this collection with pleasure, “going back and forth amongst the poems because I think I hear echoes.They seem linked to me and Commandment a whole. Congratulations on a fine performance!” Ron Rash praises the book, saying” Frew contemporary poets can match her combination of craft and feeling, which makes this new collection all the more welcome. She is a poet of the first rank.”

Commandment

By Mary Adams




When we were lonely

Love doubly

blessed us. Earth

filled us. Birth

welled like morning,

clean yearning

poured over the void

and we said

nothing could quiet this

urge, this riot, this

self-forgetfulness.

And then the doe

so wild going so

still, saw the brink

of wilderness sink

in our plenty, our

pity. Oceans for

which we longed dried

and our best laid

the world waste:

it wasn’t just

never enough love

that Jesus suffocated of.



TIME CATS
-- after Mr. Lloyd Alexander, 1924-2007


To console you for growing old, I got you a gift
to take you out of time. Not poems, which are always
ending after they start. And not knitting,
which if worn you might wear out. The best
gifts are light, but not too light, and flow
everywhere, like the ache of debt. This year
your gift should signify the infinite.
So I got you kittens, tricked by your own fingers
from the wild. Because they compound eternally,
but warmer. Because a single box contains
all kittens till it’s opened. Because a kitten
mewing makes a butterfly make a tornado.
Because a knotting of kittens extends in a plane
forever. Because a dying kitten is
impossibly light, and a lost kitten’s cry
is bottomless. And since each kitten wells
with the cat of danger, we know every cat
wears kittens like an urge. None is ever
really lost. Then cats point both ways always.
Now you are grown, here are all your kittens,
new again, like money you found in the laundry.
Heft them gently. Feel in their small hearts
your trembling. Calm them in the morning
of your fears. When you are sad, speak
them like cadences, kitten of cross-fire,
kitten of backflip, kitten of glory, kitten of
clutching, kitten of pestering and plummet, spindly
kitten, hungry kitten, kitten of solace.

POET OF THE DAY: GLENDA COUNCIL BEALL

Glenda Council Beall's new chapbook, Now Might As Well Be Then, from Finishing Line Press (http://www.finishinglinepress.com/) deserves many readers. I was honored to write a blurb for it. Glenda has worked wonders for NETWEST as Program Director and deserves our thanks for supporting the literary arts in Western North Carolina.
Often those "supporters" are so busy making sure other writers find what they need to become better at the writer's craft that they don't have time for their own work. That's why I'm so pleased to honor Glenda as Poet of the Day. Here are a couple of my favorite poems from her new chapbook.



WOMAN IN THE MIRROR

What happened to seventeen,

when I rode my mare

free as the river flows,

jumped over downed trees

splashed through narrow streams?


What happened to twenty

when I danced in the moonlight,

my slender form dressed in a gown

white and shimmery as pearl?


What happened to thirty

when I rode my Yamaha

down fire roads, mountain trails,

long black hair flying free?


What happened to those days

I ask the woman in the mirror.

Gone, she says, all gone, unless

you remember it.


In The Dark



Lying in bed, my cheek against your shoulder,

I remember a night, long ago, on your boat.

I was afraid. I felt too much, too fast.

But love crept over us that summer

like silver fog, silent on the lake.

We were never again the same.


We stepped like children through that door that led

to long passages unknown, holding hands, wide-eyed, but brave.

Here I am years later, listening to your soft breath

and feeling your warm smooth skin.

In the dark, now might as well be then.

Wednesday, April 28, 2010

POET OF THE DAY: LEE SMITH

(Lee signs her new book for me.) Lee Smith probably wrote poetry back in her student--or childhood--days, and she may secretly write it now, but I think she also writes poetry in her novels and shorts stories, and I have shamelessly used those to rev up my own poems when I felt my poet's engine running down.
Lee came to Asheville on Sunday to read from her new book of stories, Mrs. Darcy and the Blue-Eyed Stranger: New and Selected Stories. There was standing room only at Malaprop's Bookstore. Afterward I had time to visit with Lee and the woman who has brought her work to life on the stage, Barbara Bates Smith. Barbara's wonderful husband and my brother joined us for a glass of wine at a downtown restaurant.
Go to Barbara's website to learn more about her one-woman shows. (Mugging it up with Lee at Malaprop's)
Here is the last paragraph from "The Southern Cross." Chanel, the narrator, (not her real name, of course!) has jumped off the yacht on which she's been cruising with Larry, the man she calls her fiance but who has never had any intention of leaving his wife, as she learns near story's end. She lands in the dinghy and heads for the tropical island nearby and a new life. "Going Native," she yells back to the astonished men on deck.
A part of me can't believe I'm acting this crazy, while another part of me is saying, "Go, Girl." A little breeze comes up and ruffles my hair. I practice deep breathing from aerobics and look all around. The water is smooth as glass. The whole damn sky is full of stars. It is just beautiful. All the stars are reflected in the water. Right overhead I see Orion and then I see his belt, as clear as can be. I'm headed for the island, sliding through the stars.

Monday, April 26, 2010

POET OF THE DAY: JULIA NUNNALLY DUNCAN

Julia Nunnally Duncan has been a friend for many years. Her work came to my attention when I was on the reading committee for the Appalachian Consortium Press and found her story collection Blue Ridge Shadows in my hands. I liked it so much that I contacted her after the selection process. We've been in touch ever since. Julia was born and raised in WNC. Her credits include five books: two short story collections (The Stone Carver; Blue Ridge Shadows); two novels: (When Day Is Done; Drops of the Night) and a poetry collection (An Endless Tapestry).

She has completed a second poetry collection At Dusk and continues to write and publish poems, stories, and personal essays. Her works often explore the lives of the unemployed, the socially outcast, the lonely. She lives in Marion, NC, with her husband Steve, a woodcarver, and their eleven-year-old daughter Annie. She studied creative writing at Warren Wilson College's MFA Program for Writers and teaches English at McDowell Technical Community College in Marion, NC.

English Leather Lime

The rectangular box was stored

in my parents’ dresser drawer,

kept perhaps to hold loose change

or sales receipts,

too small to be very useful

but well enough made

of light soft wood

to make my mother think

it too important to throw away.

I pulled it from the drawer

while looking for some high school memento

from my cheerleading days,

and opening the box and holding it

to my nose,

I thought I caught the smell:

a citrus scent evoked

by the illustration of a lime

on the green label:

English Leather Lime.

The cologne the box once housed

had belonged to my brother

forty years ago.

I recognized that scent

in 1969

when the handsome

seventeen-year-old boy—

star of a rival basketball team—

passed through my parents’ front door

on a November evening.

It was my first date,

and I was afraid

to sit alone in the living room with him,

so my mother stayed close by

in the kitchen

while he courted me.

On our second date, though,

I savored our closeness

as we sat in his car

at our town’s drive-in theater

and awaited the film Thunder Road.

The speakers crackled B.J. Thomas’s

Raindrops Keep Fallin’ on My Head,

and when rain suddenly began to fall outside,

we looked at each other and smiled.

When the movie started,

he scooted closer and

coyly rested his dark head

on my shoulder,

his lime cologne mingling with the remnants of my

Love’s Fresh Lemon Cleanser.

He might have kissed me in a moment,

but when he reached to turn the ignition key

for heat and windshield wipers,

the engine would not start.

After that, he rushed around,

some tool in hand,

tinkering for a minute under the hood

and then trying the ignition again.

His efforts were useless, though,

and as if to admit defeat

he finally called his father

and then mine—

a courageous move indeed

since he was supposed to have taken me

to our warm downtown theater

to see Kurt Russell starring in

The Computer Wore Tennis Shoes.

When my father did drive up

in our red Mustang

to rescue me,

I never heard goodbye

from the boy

who huddled beside his father,

their heads bowed under the car hood,

both of them soaked and shivering

in the December rain.

Lady in the Truck

Lady in the Chevrolet truck,

parked beside me at Wal-Mart,

I can tell by the way

your blonde head leans against your window pane

and your side presses into the passenger door

that you cannot get far enough away

from the driver.

I know by the angle of his head,

the way his dark tangle of hair

shakes when he shouts at you,

that his anger couldn’t wait

until he took you home.

What are you thinking

when you peer out of the grimy window?

Do you take to heart

this man’s hard words?

Do you hurt when his fingers squeeze your arm

to make you listen?

I can see by the way he looks straight ahead now,

tight lipped,

leaning to start the ignition,

that though his rage is not over,

he has spoken his mind.

I see by the way your head is lowered,

your hand covering your face,

that you do not want him

to spy your pain.

You are a young woman still,

and though I can’t discern your face,

I know it is a face

that another person could love.

Your mouth could smile at a lover’s whisper;

your eyes close at a caress.

Yet more so I know that

tonight when this man

pushes his body

close to yours

in your sweltering bed,

his voice calm,

cajoling you back,

you will look at him

and hope that his words

won’t be so cruel again,

that his love might be

worth your faith.

Friday, April 23, 2010

POET OF THE DAY: ISABEL ZUBER

My good friend Isabel Zuber is both poet and novelist. We met 30 years ago at a writers conference led by A.R. Ammons in Critz, Va. A native of Boone, NC, she has lived her adult life in Winston-Salem. Her first novel Salt was published by Picador, and her chapbooks of poems have been published by the NC Writers Network (Annual chapbook award) and Persephone Press. More of her work may be found in the archives of ncarts.org, as well as in several anthologies, the most recent being Southern Appalachian Poets (http://www.mcfarlandpub.com/) and Clothes Lines. The following poem is from her forthcoming full-length collection Red Lily (Press 53)
Nightward

A last enormous freedom
is to run into the dark,
barely enough day left
to see vague hydrangeas
massed along the drive and junipers up like spears
against the sky. Bound then in the dusk with all that
can be there light says is not.
Rush the yard on grass-lashed,
bug-bit legs, turn round
and round till stars collide
with spires, breaking the
huge dinning noise
of all those tiny voices. Such venture is less, or more,
than brave, for dew’s sweet
or bitter, and there’s always
the lighted doorway and
the sense that if one runs
far and hard enough
there are arms in the darkness also.