Writers and poets in the far western mountain area of North Carolina and bordering counties of South Carolina, Georgia and Tennessee post announcements, original work and articles on the craft of writing.
Sunday, April 4, 2010
POETRY WRITING WORKSHOP
Friday, April 2, 2010
FAVORITE APPALACHIAN BOOKS
Thursday, April 1, 2010
Favorite Appalachian Book: FAIR AND TENDER LADIES
My favorite scene from Fair and Tender Ladies is when Ivy sits on the porch of her home high on the mountain. She looks down to her community below that just received electricity. She sees all the homes alight for the first time. I imagine many times she has looked below her and seen only the blackness of oak and maple in the night. That night, however, she looked down and was reminded that there were people there. There were families there. Even now as I think on that scene, I feel something bittersweet. There is a comfort in knowing you are not alone, yet a heavy sadness in watching the changing of time. There are changes that come and we either accept them peaceably or we struggle and create pain for ourselves. In that moment I believe Ivy was able to hold the immense experiences of her life, all the pains and joys, and own them. Without judgment she accepted lovingly the course of her life. Every light inside Ivy was on, and she was okay with that. This was a woman who had known suffering and ecstasy and was able to regard them all as hers in that moment. Even at 20 years old, being the daughter of mountain women, I could feel that and know it at a deeper level today.
There are so many great mountain novels, but also at the top of the list would be Gap Creek by Robert Morgan. In both of these novels, it's the female protagonist that reaches me. In Gap Creek, it's Julie Harmon. Julie is tough, strong, and stoic. She does what needs to be done, forges ahead, and keeps her mouth shut. So many times throughout the course of this novel, I vary between wanting to comfort this poor child and desiring to shake her silly. But Julie, too, is an archetype that resonates in me. She is the mountain woman that quietly endures pain at the expense of her very self. She does the work of a man, all the while secretly aching to just be a woman. Having the core of your femininity torn severely alters a woman's ability to be with other people, particularly with men, and we see this again and again with Julie. Reading Julie's story walked me through the process of dying and being re-born. It was cathartic and therapeutic, because we all have had moments when we give parts of our self away to others. Essentially, we have many deaths of our self's potential. Likewise, we always have opportunities to be the hero in our own story and get it right. This is the way of all humans, particularly the women of Appalachia.
The memories of mountain women in my cells and marrow sing “Hallelujah!” for Ivy and Julie. The novels of these hills will always be able to do that for me, and so I’ll return to them again and again.
Melissa T. Greene, MA, LPC-MHSP
Coordinator, Intensive In-Home Treatment
Centerstone
1921 Ransom Place
Nashville, TN 37217
(615) 460-4415
melissa.greene@centerstone.org
FAVORITE APPALACHIAN BOOK: ANCESTERS AND OTHERS
Gary Carden's review of the Pulitzer Prize winning classic by Caroline Miller, Lamb in His Bosom, is, indeed, a classic piece of fine writing. I'm always so grateful and proud that we have such an icon to teach us by example, to entertain and to keep alive the authenic voice of the mountains. Gary, may you live forever!
I am reading Fred Chappell's Ancestors and Others, published by St. Martin's Press in 2009. Most of the short stories in this book were previously published in earlier collections, but they are still fresh and captivating. Fred has that native son "ear" and the ability to lay out stories of mountain humor and deeds in pitch perfect dialect. The mountain based stories are not necessarily all humorous such as in Tradition, a tale of 6 deer hunters and one of them is slightly unhinged. Spine-tingling is how you feel as you follow one hunter who may be stalked by another.
No dialect was needed for Ladies from Lapland, about the adventures of de Marpertuis as he set out with a group of explorers to measure the earth at the north pole. He became infatuated with Inuit maidens encountered in what was then called Lapland. Much distracted from his mission, and to the disgust of his fellow scientitsts, Marpertuis dallies with the ladies and then insists they return to France with him. The closer they come to Europe, the less attractive he finds these sweet and naive women. But what is he to do with them? Ladies from Lapland shows Fred's mastery of linguistics. It remains a charming story, told with a flair for the language of an era when wealthy French aristocrats could be as eccentric and arrogant as they wanted.
I found all of the tales in this collection to be of substance and fine examples of the art of short story writing. It's no wonder many of Fred Chappell's students have gone on to success, such as Robert Morgan. My favorite from this collection is Moments of Light about the soul-shattering experience the composer Haydn has as he first views the heavens through a telescope. Very lyrical language here, so beautifully written that the reader becomes breathless in those heart-stopping moments of Haydn's discovery. Don't miss the clever and funny Christmas story, Creche. If you could overhear the animals talking at Midnight on Christmas eve, what would they say? Fred knows these magical things and spins a wonderful tale complete with a drunken pig who has fed on leftover fermented mash. Ancesters and Others
is a well-balanced collection showcasing the work of a master writer over many years. Fred, I guess you'll just have to live forever also!
Penny Morse
Favorite APPALACHIAN BOOK: WHEN THE SAP RISES
FROM CAROLE R. THOMPSON
When images of people become real, and speak clearly to me from the poet's words, I feel connected to the writer in a unique way. "Yes!", I want to say; "That is the way it is, isn't it?" Glenda Barrett has written truthfully about the joys and sorrows of her life in Southern Appalachia. "When the Sap Rises" is a collection of her powerful poetry. In her honest and simple way, Glenda can bring you to tears, or make you smile. You feel her deep love for her family, and for the land where she put down deep roots. It is a small book, with huge rewards for the soul. Carole R. Thompson
My BIO
Carole Richard Thompson has been a member of the NCWN for over 10 years. She writes poetry and short stories, a number of which have been published. She and her husband, Norman, retired and moved to Blairsville, GA 20 years ago. She has taken several writing classes from Nancy Simpson Brantley, and hopes to take many more!
Wednesday, March 31, 2010
FaVORITE APPALACHIAN NOVEL: The Silence of Snakes
The following arrived this morning from Bill Everett. Thanks a lot, Bill. It's good to be reminded of Lewis Green's work.
--William Everett
I was awakened to the peculiar depth of Appalachian writing by Lewis Green’s The Silence of Snakes (1984). We were building our home on the slopes of Wolf Pen Mountain, near Waynesville, when an old friend recommended that I read a tale set where we had decided to live. The Silence of Snakes is the tragic story of a traumatized World War I hero, Earl Skiller, whose sufferings lead him to a series of gruesome murders in which the line between military heroism and depraved criminality disappears, exposing the two-edged sword of civilized “order.”
Through Green’s story I could see the life deep within these rocks and trees. I met the rattlesnakes that symbolize for Earl Skiller the secret depth of his life. As he told his fellow soldiers, “…I could turn into a rattlesnake in my mind, and then I could come and go and do my damage and nobody watched. I learned a big lesson once from rattlesnakes. … They’re silent in spite of the rattles. They’re silent at the right time. They can do a lot of damage. If they’re silent and it’s dark, then who can see ‘em?”
And I felt the ragged edge of mountain humor. Hear these lines between the discoverer of one of Skiller’s victims and the local physician. “We need fer ye to come and announce somebody dead. Some son-of-a bitch killed Mitchell Sanger. They cut his head off.” “Is that a fact? he finally asked. “Cut his head off?” “Yes sir.” “Well, I don’t have to go up there. I can tell you from here that he’s dead.”
Because of this book, the power to speak of place and of the crushing conflicts out of which humanity is hewed have remained the hallmarks of the writing in these hills.
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William Everett retired from 35 years of teaching ethics in order to write and make furniture in Waynesville, NC. He is the author of Red Clay, Blood River (2008) and numerous poems, the most recent appearing in Fresh. He blogs at www.WilliamEverett.com.
NETWEST MEMBER SUSAN SNOWDWN RECEIVES HONORABLE MENTION
CONGRATULATIONS TO SUSAN!
Susan Snowden, a Netwest member in Hendersonville, received honorable mention in the Doris Betts Fiction Award contest sponsored by the North Carolina Writers’ Network and the North Carolina Literary Review. According to the news release posted this week on NCLR’s website, eighty-two (82) writers submitted stories to the contest, from which ten finalists were selected. From those ten, NCLR fiction editor Liza Wieland selected one winning story (by Robert Wallace of Durham) and noted two others for honorable mention (Susan Snowden and Wayne Johns).
Only the first place story will be published in the NCLR in 2011, so Susan hopes to find another “home” for her story, “Revenge.”
(For details about the award, visit www.nclr.ecu.edu/news/2010.)