Writers and poets in the far western mountain area of North Carolina and bordering counties of South Carolina, Georgia and Tennessee post announcements, original work and articles on the craft of writing.
Thursday, July 1, 2010
Gary Carden, storyteller, in new book
Gary is one of the sixteen storytellers featured in this book:
Southern Appalachian Storytellers
Interviews with Sixteen Keepers of the Oral Tradition
Edited by Saundra Gerrell Kelley
ISBN 978-0-7864-4751-0
photos, bibliography, index softcover 2010
Price: $35.00
To be from Appalachia--to be at home there and to love it passionately--informs the narratives of each of the sixteen storytellers featured in this work. Their stories are rich in the lore of the past, deeply influenced by family, especially their grandparents, and the ancient mountains they saw every day of their lives as they were growing up.
About the Author
Writer and storyteller Saundra Gerrell Kelley has contributed articles to the Jonesborough Herald & Tribune, the Tallahassee Democrat (Florida), and the north Florida environmental anthology, Between Two Rivers. She lives in Jonesborough, Tennessee.
Thursday, June 24, 2010
NCWN West Monthly Prose Workshop Will Not Meet in July
Thanks. Peg Russell
Monday, June 21, 2010
Not Your Stereotypical Southern People
The stereotype of farm boys in the Deep South in the 1940s and ‘50s did not include reading and loving poetry. But in our schools, English teachers enjoyed poetry and made it part of the required reading. Max and Ray often entertained me with The Raven by Edgar Allen Poe.
My role models were my sister and my mother. Both were avid readers. Both enjoyed school. Winken, Blinken and Nod, one night, set off in a Wooden Shoe. I begged my big sister, June, to say that poem as she tucked me into bed each night. She pulled the covers up around me and repeated Eugene Fields' words to me in the dark while I traveled out on the night with Winken, Blinken and Nod.
Recently Newt Smith, Treasurer of Netwest, commented at Coffee with the Poets in Sylva, that his mother, as a child, would take a book of poetry with her and read while she milked the cow. In rural America, it was hard to find free time to engage in a pastime such as reading and learning poetry. There was always work to be done.
The stereotype in movies and on television would have you believe southern boys and girls were lazy, ignorant and hardly attended school. I did not know any of those stereotypical children where I grew up in southwest Georgia. My siblings and our neighbors’ kids graduated from high school while also working on the farm with their parents. All four of my brothers, along with my husband, in 1969, built a national manufacturing business which thrived in a tiny little town in Georgia until the company was sold to a California firm in the nineties.
After World War II, my brother who served in the Navy, graduated from college, ,thanks to the GI Bill. After college, he taught school and on Saturday mornings when he was home, he filled the house with the sounds of classical music and Opera. I was a high school student at that time and hardly appreciated his choice of music.
Reciting poetry, as my brothers and sisters did, seems to be a fading art today, except for a few performance poets and the Poetry Slams I read about. Michael Beadle from Haywood County is an exciting performance poet. I also enjoyed Charley Pearson’s recitation at a Netwest Picnic a few years ago. We see this in larger cities, but not in small towns.
Another southern man named Max often drops in to Coffee with the Poets in Hayesville, NC at Phillips and Lloyd bookstore. His brain is stocked with verses he learned while growing up in Georgia. We enjoy hearing him recite a few each time he comes.
Newt suspects memorizing poetry was popular in the early past century because books were hard to come by back then. The only books my brothers had were their school books or a book checked out from the book mobile in summer.
I am happy to say that the children in Hayesville and Murphy schools in North Carolina are exposed to poetry. I know this because I have read their poems in the annual Poetry contests held each year, and each year I am amazed at the work from these kids.
If you are a teacher or a parent of children in school, do you think the schools devote enough time to reading and learning poetry? Should they spend time on poetry? We would love to have your comments. Did you learn to recite poetry as a child?
A Favorite of My Brother Max
Gunga Din
You may talk o' gin and beer
When you're quartered safe out 'ere,
An' you're sent to penny-fights an' Aldershot it;
But when it comes to slaughter
You will do your work on water,
An' you'll lick the bloomin' boots of 'im that's got it.
Now in Injia's sunny clime,
Where I used to spend my time
A-servin' of 'Er Majesty the Queen,
Of all them blackfaced crew
The finest man I knew
Was our regimental bhisti, Gunga Din.
He was "Din! Din! Din!
You limpin' lump o' brick-dust, Gunga Din!
Hi! Slippy hitherao!
Water, get it! Panee lao! [Bring water swiftly.]
You squidgy-nosed old idol, Gunga Din."
The uniform 'e wore
Was nothin' much before,
An' rather less than 'arf o' that be'ind,
For a piece o' twisty rag
An' a goatskin water-bag
Was all the field-equipment 'e could find.
When the sweatin' troop-train lay
In a sidin' through the day,
Where the 'eat would make your bloomin' eyebrows crawl,
We shouted "Harry By!"
Till our throats were bricky-dry,
Then we wopped 'im 'cause 'e couldn't serve us all.
It was "Din! Din! Din!
You 'eathen, where the mischief 'ave you been?
You put some juldee in it [Be quick.]
Or I'll marrow you this minute [Hit you.]
If you don't fill up my helmet, Gunga Din!"
'E would dot an' carry one
Till the longest day was done;
An' 'e didn't seem to know the use o' fear.
If we charged or broke or cut,
You could bet your bloomin' nut,
'E'd be waitin' fifty paces right flank rear.
With 'is mussick on 'is back, [Water-skin.]
'E would skip with our attack,
An' watch us till the bugles made "Retire",
An' for all 'is dirty 'ide
'E was white, clear white, inside
When 'e went to tend the wounded under fire!
It was "Din! Din! Din!"
With the bullets kickin' dust-spots on the green.
When the cartridges ran out,
You could hear the front-ranks shout,
"Hi! ammunition-mules an' Gunga Din!"
I shan't forgit the night
When I dropped be'ind the fight
With a bullet where my belt-plate should 'a' been.
I was chokin' mad with thirst,
An' the man that spied me first
Was our good old grinnin', gruntin' Gunga Din.
'E lifted up my 'ead,
An' he plugged me where I bled,
An' 'e guv me 'arf-a-pint o' water-green:
It was crawlin' and it stunk,
But of all the drinks I've drunk,
I'm gratefullest to one from Gunga Din.
It was "Din! Din! Din!
'Ere's a beggar with a bullet through 'is spleen;
'E's chawin' up the ground,
An' 'e's kickin' all around:
For Gawd's sake git the water, Gunga Din!"
'E carried me away
To where a dooli lay,
An' a bullet come an' drilled the beggar clean.
'E put me safe inside,
An' just before 'e died,
"I 'ope you liked your drink", sez Gunga Din.
So I'll meet 'im later on
At the place where 'e is gone --
Where it's always double drill and no canteen.
'E'll be squattin' on the coals
Givin' drink to poor damned souls,
An' I'll get a swig in hell from Gunga Din!
Yes, Din! Din! Din!
You Lazarushian-leather Gunga Din!
Though I've belted you and flayed you,
By the livin' Gawd that made you,
You're a better man than I am, Gunga Din!
THANKS TO NETWEST MEMBERS FROM CANDY FUND
On behalf of the Candy Maier Scholarship Fund for Women Writers Board, we want to thank all of you who came from points west--from Waynesville and Murphy and Hiawasee--for this "first as far as we know" book fair featuring local and self-published authors. It was a long way to come for an uncertain outcome; it was a hot day and a crowded venue and your sales may not have been great. We hope, though, that visiting with your fellow writers and meeting new friends helped compensate for your time and effort.
For the Candy Fund, the event was a success. In addition to just plain enjoying seeing so many writers assembled and talking books and publishing, financially the Candy Fund can now award many scholarships in support of women taking courses, classes, workshop involving shared writing experiences.
If you know of any women who might hesitate at the brink of a class or course because of its cost, please refer them to the Candy Fund at http://www.thecandyfund.org/
We want to help and the book fair assisted in our doing so. Thank you. Celia Miles (Treasurer) for the Candy Fund Board:
Cheryl Dietrich, Chair; Gwendie Camp, JC Walkup, Martha McMullen, Jennifer Browning, Whitney George
Friday, June 18, 2010
REVIEW OF: JUST BETWEEN US
Davis, Tom. JUST BETWEEN US. Fayetteville, NC: Old Mountain Press, Inc., 2010. 90 pages, trade paperback. $14.00. http://www.oldmountainpress.com/.
JUST BETWEEN US, compiled by Old Mountain Press, includes poetry and prose by 70 writers. North Carolina Writers’ Network-West members, Janice Townley Moore and Brenda Kay Ledford, have works in this anthology that cover relationships.
Relationships. That’s all there really is. There’s your relationship with the dust that just blew in your face, or with the person who just kicked you end over end…You have to come to terms to some kind of equilibrium, with those people around you, those people who care for you, your environment. –Leslie Marmon Silko.
This book covers a hodgepodge of relationships with: family, friends, the environment, music, math, teachers, students, God, pets, and people.
Works that cover the relationships with the environment include: Shelby Stephenson’s, “The Spring Presses my Suddenness,” and Kerri Mai Habben’s, “Leaves.” Ed Cockrell’s, poem, “Something in the Yard,” addresses beavers building dens on Collins’ Creek: “Big Red barks, and I stand on tip-toes to scan/ the moon-lit bramble. I wonder briefly/ if beavers have returned, eager for revenge.”
The relationships with animals range from Arnie Johanson’s, “A Couple of Mutts,” to C. Pleasants York’s poem, “Oscar.” This rabbit edited, critiqued, York’s work at night while munching on a carrot from his cage. His eyes were large, trusting, and liquid brown as he served as Editor in Chief.
Writers also described the relationships with families in this anthology. Blanche L. Ledford’s, “My Mentor,” tells about the bond with her mother-in-law. “I worked beside Ma as we cooked, canned food, churned buttermilk, kept house, and quilted. Ma taught me many things, and I shared my knowledge with her.”
Another story that covers the relationship with family includes Tom Davis’s, “Who’s in Charge”: “The door burst open, and Polly barreled in from a shopping spree, hugging an armload of pants, jackets, and skirts with little white tags flapping furiously in the air…”
Additionally, the relationship between a teacher and student was addressed in Barbara Ledford Wright’s, “Encouraging Andrew.” Says Wright, “The bug game was the turning point that encouraged Andrew. Between the two of us, a magnificent teacher-student relationship developed.”
Besides relationships with pets and people, Debra Kaufman explores “The Hidden Passion of Mathematicians”: “ Step into the garden of conjectures and see/ my Julia sets are uniformly perfect…”
Also, BJ Gillum refers to earthly bonds and his maker in “Eternal Love”:
When all our words are spoken
And sweet silence fills the air,
When earthly bonds are broken
And our souls ascend the stair
We will embrace and kiss forever
And to our maker we shall go.
Our hearts will then be happy
And with gladness overflow.
Finally, JUST BETWEEN US, covers the theme of relationships. It’s a wonderful anthology and the writers hold outstanding credentials. This book would make a great gift.
To order, JUST BETWEEN US, go to: http://www.oldmountainpress.com/.
Book reviewed by: Brenda Kay Ledford
http://www.brendakayledford.com/
http:blueridgepoet.blogspot.com.
Coffee with the Poets at City Lights in Sylva
Mary Mike Keller and Rosemary Royston from Young Harris, GA made the trip over the mountains. Both shared poetry with the group which included William Everett, author of Red Clay, Blood River,and Pat Montee, wife of the late Ralph Montee, writer and poet. It was especially nice to see Pat again, in pink above.
Diana Jurss is the featured reader for the next Coffee with the Poets in Sylva. Her book is forthcoming in August. Cynthia Gallinger was also present today. I look forward to next month's CWP at City Lights. Perhaps other poets and writers will come and share their work at Open Mic.
Monday, June 14, 2010
How To Give A Good Introduction
First the speaker should write his own introduction. It should not contain a resume of the person’s life, all of his publications, his successes and all his awards. The introductory speech of about one or two minutes at the most, should only contain information about the speaker that relates to his subject and to this particular audience. If the person is going to talk about Self-Publishing, the introduction should center on his experience with Self-publishing, not his Senior Games Gold Medal for photography, unless he has published a photography book.
When we introduce someone we should be sure to give the speaker’s full name, his position and the name of his topic or at least indicate the subject of the topic.
Secondly, the person introducing should explain why this person was chosen to speak to this audience on this topic. We want to convince the audience that our guest speaker is qualified. For example, when I introduced Scott Owens, the poet, I talked about the number of books he had published. I mentioned how I first read his poems in an online journal and how impressed I was with his book, Paternity.
When we are asked to introduce a speaker, it is our responsibility to build his credibility with those who will be listening. We want to excite the crowd; make them anxious to hear this man speak. If we can, it is good to give our personal impression of him. Most important of all, we should not appear to read every word right off the page. We might ask the speaker to make a bulleted list of the topics he wants covered in the intro, and then we can put it into our words. Sometimes the speaker wants his intro given word for word as he wrote it. If that is so, we should follow his wishes.
The very last part of the introduction is as important as the beginning. Welcome the speaker to the stage by giving the title of his presentation and then his name, spoken more slowly, so that all will hear it and hopefully remember it. An example is, “Now to speak to us on the New World of Publishing, welcome James T. Gardner.”
Give his name last, unless the topic is more important than the person giving the talk. Then we might say, “Welcome James T. Gardner, who will speak on “The New World of Publishing.”
One last tip. Stay on stage until the speaker comes and begins, then quietly walk off so there is no break in the attention of the audience. We don’t want the audience looking at us walk off stage while the speaker is coming to the lectern. We want the audience to stay focused on the spot where the speaker will be standing.
Do you have any other tips on this subject? Let us know what you think.
Glenda C. Beall is a writer, poet and teacher living in Hayesville, NC. Her poetry book, Now Might as Well be Then, was published by Finishing Line Press, 2009
She is director of Writers Circle, classes on writing held at her studio in Hayesville. She serves as the NCWN West Clay County Representative.
Friday, June 11, 2010
LUNCH AT SPRING STREET CAFE IN SYLVA
Thursday, June 10, 2010
JOHN C. CAMPBELL FOLK SCHOOL READING
A resident of Blairsville, Georgia, Carole and her husband, Norm, chose this area
as their retirement home in 1990. He was a Lt. Colonel and a pilot in the Air Force and served both in the Korean and Vietnam conflicts.
After they moved to Blairsville, a friend invited Carole to a Misty Mountain Quilting Guild meeting. When they had show and tell, Carole decided to learn quilting.
“When you belong to a quilting guild, you have opportunities to try all sorts of techniques and patterns,” says Carole. “Some members are real artists at their craft, and love what they do so much they quilt constantly.
“I made miniature quilts for a couple of years, which can be tedious. I’ve only made one queen-sized, ‘Jacob’s Elevator,’ and it is on our bed. I have enjoyed making quilts for my children and crib quilts for the babies.”
She and her husband have four adult children, two sons and two daughters, with families of their own. They have been blessed with five grandchildren and three great-grandchildren.
“We lived out in the country for a few years when I was a child,” says Carole. “I remember Mother taking me with her to a quilting bee. The ladies sat around a frame suspended from hooks in the ceiling and each worked on an area of quilt, while they enjoyed visiting with each other. After we moved back to my hometown, I don’t remember Mother quilting at all. She worked as a bookkeeper all day, so I guess she relaxed by reading and playing canasta.”
But long before quilting, there was painting in Carole’s life. She inherited some artistic talent from her father, but didn’t take art lessons until she was grown and married.
“When my husband was in the Air Force,” recalls Carole, “we were stationed in Japan for three years. Just before it was time to return to the states, I began oil painting classes. The instructor felt I should work in portraiture. I just plunged in. After that, I took classes when I could while raising my family. I’ve done over 60 portraits for people, but lost interest. I haven’t painted in five years, but expect to start again some day.”
Writing is one of the reasons Carole stopped painting. A friend asked her to attend a creative writing class at Tri-County Community College. Nancy Simpson was the instructor. Carole studied under Simpson, and was published after completing her second class.
Her poem, “The House of Cards,” appeared in an anthology, A SENSE OF PLACE, published by the Southeast Writer’s Association. Two of her poems were used in an Old Unicoi Trail Chapter DAR fund raising calendar.
Carole has been a member of the NSDAR 25 years because she believes in their goals of promoting education, historic preservation, and patriotism. “Our Old Unicoi Trail Chapter raises funds for college scholarships for seniors in the tri-county area,” she explains, “and all NSDAR chapters support several schools around the country that educate and provide a loving, safe home for children coming from underprivileged and sometimes unsafe home situations.”
Her essay entitled, “A Common Thread,” won first place and best of show in a Daughter’s of the American Revolution National Literature and Drama Contest. It was placed on display in DAR Continental Hall in Washington, DC during the 1999 Continental Congress.
Additionally, Carole’s heart-warming story, “A Bag of Sugar for Paula,” was first published by THE LIGUORIAN MAGAZINE in the 2000 Christmas issue and illustrated in color. It also appeared in the anthology, CHRISTMAS PRESENCE, by Catawba Press.
Finally, Carole Thompson enjoys meeting people and uses her talents to bless others.
Here’s a poem by Carole Thompson:
THE HOUSE OF CARDS
There is a tiny house that sits askew
In silent patience, holding out, holding on.
Winter paints ugliness on its bleak, leaning timbers,
No smoke curl charms the view or adds warmth—
I wonder how it can stand.
Inside, a very old woman waits, rocking
To a song with no words or music, remembering.
Neither joyful or sad, she numbly endures
The repetition of years and seasons.
If she lives til spring, she will emerge
One day, much like her tulips, urged by the warmth.
Her gnarled hands will bring out rusty coffee cans,
Watering every living thing, tearing away dry vines,
Exposing new shoots to sun and rain.
She will be about her garden til autumn frosts
Shrivel the blossoms, and chill her ancient bones.
Then, she will shut the door of her tiny fortress,
Remaining unseen, like the tubers now sleeping
In her garden, caring little for passing strangers
Who gape and wonder—how the little house still stands.
By: Carole Thompson
Brenda Kay Ledford will also read at the John C. Campbell Folk School on June 17th. You may visit her website and blog at: http://www.brendakayledford.com/ and http://blueridgepoet.blogspot.com/.
Everyone is cordially invited to attend the John C. Campbell Folk School and hear Carole Thompson and Brenda Kay Ledford read their work on June 17th.
COFFEE WITH THE POETS
JOHN LANG CELEBRATES THE POETRY OF KATHRYN BYER AND FIVE OTHERS FROM THE MOUNTAIN SOUTH
Submitted by more@citylights... on Wed, 05/19/2010 - 9:58am.
Start: Fri, 06/11/2010 - 7:00pm
End: Fri, 06/11/2010 - 8:30pm
Timezone: Etc/GMT-4
John Lang and Kay Byer will be at City Lights on Friday, June 11th at 7:00 p.m. for a reading and discussion based on Lang's book, Six Poets from the Mountain South.
In the most extensive work to date on major poets from the mountain South, Lang explores the pervasive religious and spiritual concerns of many of the mountain South’s finest writers, including Fred Chappell, Robert Morgan, Jeff Daniel Marion, Kathryn Stripling Byer, and Charles Wright.
Lang wil touch briefly on all the poets covered in the book but will pay particular attention to his interpretation of Kay Byer's work. Kay will then read from some of her work, and both authors will take questions from the audience.
Location:
City Lights Bookstore
3 E Jackson S
Sylva, North Carolina 28779
NCWN West members attend Blue Ridge Book Fest
Lana said the presentations were spread among three buildings at the college. She heard Terry Kay give the keynote address and then enjoyed presentations by Ann B. Ross, author of the Miss Julia series and Joslyn Jackson who wrote the popular novels Gods in Alabama and Between Georgia.
Karen and Lana attended the lunch with Robert Morgan. “The ten dollars was a bargain for lunch and the opportunity to hear Robert Morgan read and answer questions,” Lana said.
Karen agreed. “I enjoyed hearing Robert Morgan read his poetry and talk about writing. He’s an amazingly intelligent man who also comes across as kind and caring.”
Now Karen and Lana know why we are so excited that Robert Morgan wrote the introduction for the Netwest anthology, Echoes Across the Blue Ridge, Stories, Essays and Poems by Writers Living In and Inspired by the Southern Appalachian Mountains which will be released within the next three weeks.
Karen, being a poet herself, found Glenis Redmond’s presentation entertaining and inspiring. “I spoke with her afterwards; she seems to be a true friend of poets. I purchased her book of poetry and also bought a poetry collection by Netwest member Martha O. Adams, who was another delightful person to meet.”
Lana liked the way the author tables were set up in the Courtland Room this year and the way the bookstore, Malaprops, displayed all the books up on the stage. However, that meant the speakers were often in three other buildings where the presentations were held.
Karen Holmes, who does an excellent job editing and publishing our Netwest News, said she knew names of many writers she met at the book fest, but this gave her the chance the get to know their faces.
Lana commented, “There was also actual food set up in the hallways and around that main room, too; coffee, muffins, caramel apples, popcorn and Bar BQ for lunch, not just vending machines,” She said. Lana was comparing this year’s food availability with the selection last year. It seems the Blue Ridge Book Fest is indeed growing and getting better and better.
Writing conferences and book fairs are important to our writers here in the mountains, our Netwest members. The volunteers, who put together the Blue Ridge Book Fest, and the Blue Ridge Community College are to be commended for all the work and effort that went into making this another successful event. Mark your calendar, as I am doing, for May 20, 21, 2011 to attend the Blue Ridge Book Fest in Flat Rock, NC.
Tuesday, June 8, 2010
NCWN West Monthly Prose Workshop Will Meet
Are you writing a book?
Monday, June 7, 2010
Poet Maren O. Mitchell will Read at Coffee With the Poets
Saturday, June 5, 2010
STUDENT POET OF THE DAY: LINDSEY DODGE
Friday, June 4, 2010
STUDENT POET OF THE DAY:LIA WALDRUM
Thursday, June 3, 2010
CONVERSATIONS: William Everett
She is ready,
purse packed,
hands pocketed in resolution,
standing by her charge.
Will she fly through puffball clouds,
piercing azure heavens like a needle?
Or will she cruise majestically across the land,
blowing tumbleweeds and sagebrush in her wake?
Perhaps the sea shall feel the power of her legs,
the undulations of her mermaid form.
For she is ready,
her glowing hair pinned sleekly back,
the keys clutched in her hand.
She is the girl with the ’55 Plymouth fins.
---William Everett
Wednesday, June 2, 2010
COFFEE WITH THE POETS AT CITY LIGHTS, FEATURING GLENDA BEALL
COFFEE WITH THE POETS AT CITY LIGHTS, FEATURING GLENDA BEALL
City Lights Bookstore is pleased to announce a program for readers and writers
on the third Thursday of each month, beginning June 17. Coffee with the Poets
will feature a guest poet each month, including an informal discussion and
reading. The program will begin at 10:30, with coffee and snacks provided.
Spring Street Cafe welcomes all attendees to come downstairs for lunch
afterward.
The inaugural event will feature Glenda Council Beall of Hayesville. Glenda
has published poetry, personal essays, memoir, and fiction, and she is former
Program Coordinator for the North Carolina Writers’ Network West (NetWest).
Her background is in education and she continues to teach adults through
community services at Tri-County Community College and at the John C.
Campbell Folk School in Brasstown.
Glenda's book of poetry, Now Might as Well be Then, was recently published by
Finishing Line Press. Her blog, Writing Life Stories, at
http://profilesandpedigrees.blogspot.com shares some of her own stories and
suggestions for writing your own.
City Lights Bookstore
828-586-9499
3 East Jackson Street
Sylva, NC 28779
more@citylightsnc.com
Open 9 a.m. to 9 p.m. Monday-Saturday, and 10 a.m. to 3 p.m. Sundays
Browse and shop online at http://www.citylightsnc.com
Glenda Council Beall's new chapbook, Now Might As Well Be Then, from Finishing Line Press (http://www.finishinglinepress.com/) deserves many readers. I was honored to write a blurb for it. Glenda has worked wonders for NETWEST as Program Director and deserves our thanks for supporting the literary arts in Western North Carolina. Her new book would make a wonderful Christmas gift for family members. Several in my family will have this chapbook in their stockings!
Often those "supporters" are so busy making sure other writers find what they need to become better at the writer's craft that they don't have time for their own work. That's why I'm so pleased to honor Glenda as Poet of the Week. She's a great SW Georgia girl, and, naturally, I believe those girls have a leg up when it comes to writing poetry!
Here are a few of my favorite poems from her new chapbook.
Woman in the Mirror
What happened to seventeen,
when I rode my mare
free as the river flows,
jumped over downed trees
splashed through narrow streams?
What happened to twenty
when I danced in the moonlight,
my slender form dressed in a gown
white and shimmery as pearl?
What happened to thirty
when I rode my Yamaha
down fire roads, mountain trails,
long black hair flying free?
What happened to those days
I ask the woman in the mirror.
Gone, she says, all gone, unless
you remember it.
In The Dark
Lying in bed, my cheek against your shoulder,
I remember a night, long ago, on your boat.
I was afraid. I felt too much, too fast.
But love crept over us that summer
like silver fog, silent on the lake.
We were never again the same.
We stepped like children through that door that led
to long passages unknown, holding hands, wide-eyed, but brave.
Here I am years later, listening to your soft breath
and feeling your warm smooth skin.
In the dark, now might as well be then.
My Father's Horse
Stickers tear my legs, bare and tan
from South Georgia sun. Long black braids
fly behind me as I sprint like a Derby winner
down the path.
Harnessed with hames, bridle
and blinders, Charlie plods down
the farm road. Tired and wet from sweat,
he is perfume to my nostrils.
My father swings me up. I bury
my hands in tangled mane. My thighs
stick to leather and damp white hair
high above the ground.
I want to sing in glorious joy,
but only croon a child's nonsensical
words, grinning for a hundred yards
between field and barn.
My father's arms are strong.
His hands are gentle. The horse
is all we ever share. For he has sons
and I am just a daughter.
A Long Lost Year
Music making was his talent
taken for granted like water
gushing from our well until
the surgeon’s knife nicked a nerve.
The purple wreath of grief hung
over us until one day above the strum
of his guitar, his notes rang true ?
a lovely instrument restored.
We wept with joy.
His voice is who he is,
has
always been.
He sings to me again, that same
rich baritone that won me on that first
day we met. I listen with a new ear,
and like a Sinatra fan,
I mellow out.
Summer Writing Residency ARE YOU INTERESTED?
>From July 23–25, the North Carolina Writers’ Network will offer the 2010 Squire Summer Writing Residency, a full weekend of intensive workshops at Peace College in downtown Raleigh. The Residency is an intimate, affordable alternative to large conferences, and a rare opportunity to create bonds within the writing community.
Sam Ragan Award-winner David Rigsbee, a prolific and erudite NC poet and professor who has been mentored by such luminaries as Carolyn Kizer and U.S. poet laureate Joseph Brodsky, will work with poetry registrants on the problems of “Passion and Restraint in the First-Person Poem,” using examples of persona, authenticity, form, and authority from contemporary poets. This workshop gives registrants the time and focus to pay attention to the details in their work and to stay concrete and clear with language.
Past attendees have said the following about the Residency:
"The entire group brought a sense of community to my writing that I hadn't had before."—Ivy Rutledge
"I found an open, welcoming community of people who immediately accept anyone who has a desire to write."—Karen Price
More information about the Squire Summer Writing Residency can be found at www.ncwriters.org or by calling 336-293-8844.
--
Virginia Freedman
Administrative Director, NC Writers' Network
PO Box 954, Carrboro, NC 27510
(919) 251-9140