Friday, March 13, 2009

Season's Gems by Linda M. Smith







Season’s Gems

Drizzly remnants of hurricanes
stretching like big beads on a necklace
across the Atlantic
chased summer away a day early.
I resent Autumn’s untimely arrival,
robbing itself of its own magnificence.

No more floating in Lake Chatuge,
face up, absorbing white hot aura,
splashing liquid diamonds
over my tanned skin and sapphire suit.

Reluctantly, I shut windows,
don wool socks and fuzzy sweater.
Still cold, I curl under ruby colored throw,
unsuccessfully attempt happiness
by thinking of Christmas.

Gloomy rain and gray thoughts for days prevail,
but, at the end,
golden, topaz rays of sunset
sparkle across my yard,
where dogwood’s leaves turned garnet,
red berried, glowing in crystal cool air.
Autumn’s glory is here.

--Linda M. Smith

Previously published in Freeing Jonah V

Thursday, March 12, 2009

Poets nancy Simpson and Janice Townley Moore Were Honored at Coffee With the Poets






Nancy Simpson and Janice Townley Moore, were honored at Coffee With the Poets, sponsored by N.C. Writers Network West, March 11, 2009 at Phillips and Lloyd Book Store on the town square in Hayesville, NC. These two poets were recognized for having poems included in the recently released anthology, THE POETS GUIDE TO THE BIRDS, edited by Judith Kitchen and former U.S. Poet Laureate, Ted Kooser, (2009 Anhinga Press, Tallahassee.)

Janice Townley Moore read poems from the anthology, most of them related to sounds of birds, for example, “ Songbird” by John Brehm, which she said was the best poem in the book. Moore also read “Cardinal” by Bruce Bond, and she read her poem, “Teaching the Robins,” which is the title poem of her own chapbook, published at Finishing Line Press, (2005 Gergetown, Kentucky.) The poem, “Teaching the Robins,” gives readers the image of an English teacher attempting to teach students in her classroom, specifically trying to teach them the grief poetry of Emily Dickinson.

Nancy Simpson read several poems from the anthology, including Linda Pastan’s “The Birds,” and Gray Jacobik’s “ Flamingos.” She also read , “Cranes in August,” by Kim Addonizio and she dedicated the crane poem to poet Maren O. Mitchell who is a proficient poet as well as accomplished at making paper cranes. Nancy Simpson also read her poem chosen for the anthology titled, “Carolina Bluebirds.”

The editors of THE POETS GUIDE TO THE BIRDS presented 151 contemporary American poets. Nancy Simpson said, “This is a different kind of field guide. You see a bird but when you look it up in this “poet’s guide”, you will find ten poems listed under Cardinal, thirteen under Crow, only one under Carolina Bluebird, and only one under Nuthatch and so on. Twenty-five poems are listed under Birdsong/Sound.

Editor Ted Kooser expressed the hope that “readers will enjoy this book just half as much as if they’d actually seen all the birds these poems represent.”

Poets attending Coffee With the Poets read their original poems in the open mic reading. Some of those poets celebrating birds were: Karen Holmes, Carole Thompson, Brenda Kay Ledford, Ellen Andrews, Maren O. Mitchell, Ann Cahill, Linda Smith and Glenda Barrett. 

THE POETS GUIDE TO THE BIRDS can be ordered at www.anhinga.org, or www.amazon.com, or at Phillips and lloyd Book Store on the square in Hayesville, N.C.

Wednesday, March 11, 2009

Angela Dove launched a new book

We are happy to welcome new member of Netwest, Angela Dove, author of No Room for Doubt. Angela launched her book at Osondu Booksellers last weekend. Those who attended the Netwest picnic in Maggie Valley a couple of years ago will remember Angela who was our special guest.

The book is selling well, according to Margaret, owner of Osondu in Waynesville, NC. She said Angela is not only a good writer, but also a good reader. Angela will soon be visiting California where she will sign her book in various locations.

Monday, March 9, 2009

NC English Teachers Association Writing Awards



(At the annual NCETA convention in Winston-Salem last October: the three High School Poet Laureate Winners: from left Anuja Acharya, Katherine Indermaur, and Sarah Bruce.)


The North Carolina English Teachers Association sponsors three writing awards for students. The deadline for entries is April 15, so it's time for teachers to begin encouraging students to polish the poems, prose, and short fiction they've already written--or write something new!--that their schools may enter for these awards. To find out more about the awards, please go to ncenglishteacher.org and click on the student awards link for entry forms and contest guidelines. The guidelines for the Student Poet Laureate Awards may be found on the side bar of my ncpoetlaureate blog.



(JOHN YORK, former English Teacher of the Year, at the NCETA banquet)

In the fall of 2007, my family and I helped endow a new award through the NC English Teachers Association, the North Carolina Student Poet Laureate Awards for both high school and middle school students. I felt that poetry needed a special award to take its place beside the Wade Edwards Fiction Award and the essay awards handed out every year at the NCETA annual convention. The current state Poet Laureate will serve each year as final judge in the two categories, selecting the students who will serve as our Student Poetry Ambassadors until the following year. Students are invited to submit, through their teachers, their poems, which a member of NCETA will read, in order to make final recommendations to the current Laureate. This past year my preliminary reader was John York, whose splendid poem, "Naming the Constellations," won the 2008 NC Poetry Society's Poet Laureate award and was featured on this blog. He will again serve as preliminary reader, offering his recommendations to me.

John and I were delighted to be able to give the 2008 Laureate award to "Downtown After Dark" by Katherine Indermaur, Honorable Mention to "Death by Chocolate," by Anuja Acharya, and a Special Commendation to "yellow" by Sarah Bruce. All three students were nominated by Priscilla Chappell at Enloe High School in Raleigh and all three spoke of how much Ms. Chappell had opened up the world of poetry to them. We at NCETA and the Arts Council are excited about this new award and the excellent poetry these three young women have given us. We did not have enough entries for middle schoolers last year to have a real competition in that category. THIS YEAR we hope to have many more submissions from both levels.



(Our first NC Student Poet Laureate, Katherine Indermaur, with her mother, after the NCETA Awards banquet.)



(Our Honorable Mention winner, Anuja Acharya with her parents.)



(Judges Special Commendation winner Sarah Bruce with her parents.)

POEMS BY OUR 2008 WINNERS WILL BE POSTED ON TOMORROW'S BLOG.

Tuesday, March 3, 2009

Michael Beadle performs his poetry at John Campbell Folk School March 19


One of the brightest poets on the horizon is Michael Beadle who lives in Canton, NC. He is a performance poet, and he teaches poetry workshops across North Carolina, mostly with students but also with adults.

We are delighted Michael sent a few poems for the Netwest blog. He tells about them in the following words.
"A Town Too Small For Maps" describes the small town in Eastern NorthCarolina where I grew up. "Morning at Fontana Lake" is an imagist poem about an unforgettable early morning scene I once beheld while staying at a mountain cabin near Fontana Lake. "A Town Too Small For Maps" won 1st place in a writing contest last year at the Thomas Wolfe Memorial. It was also chosen by Kay Byer for the "Poet of the Week" feature on http://www.ncarts.com/ .
A Town Too Small For Maps

Folks used to call her Sauls’ Crossroads,
but the postal service said the name was too long.
So, somebody thought on it, yelled “Eureka!”
Eureka, that ancient exclamation of inspiration.
The name stuck long enough to celebrate
her centennial. They say Sherman marched through
once, stopped for a drink, Atlanta ash still on his boots.

There’s time to think on a lot of things here.
The stoplight stays red long enough for drivers
to look both ways at boarded up storefronts.
Post office doubles as a town hall. Over there
used to be Sauls’ General Store. After school,
we’d meet for 3-cent gum and a 12-ounce coke,
maybe a run at Gallaga or Ms. Pac-Man.
In the pine-draped house a quarter mile down
lived Miss Nancy, a state representative.
I once sat in her house, a spell of dark wood.
Thick, bronzed plaques lined her walls. They say
she could match wits with the best in Raleigh.
The only grocery in town shut down last year.
A few gas stations keep a steady business
for the families and farms that remain.
The elementary school closed after consolidation.
Weeds spike through faded lines in the parking lot.

Outside town long rows of tobacco
lined the highways. How I’d pray
the harvester would get to the end.
Reach down, curl a hand around
the stalk, break off three, four leaves
from the bottom, dump it in the tray again
and again. Hands and forearms turned gummy black.
‘Baccer dew wet our shirts, dried stiff as blood.
Early mornings we’d top and sucker,
break off flower tops, pinch out buds,
flick fat, green worms from the leaves.
We’d stop mid-morning when the boss man
or the boss man’s son brought us
Little Debbies and a coke bottle I’d tilt sideways
to suck down faster, feel the burn in my cheeks.
By August, we’d be at the bulk barns, sifting
through crispy, golden leaf, toss out what’s burnt.
Burlap bundled plump, knotted, bound for market.
Stack ‘em high in the big trucks, boys!
Leaves littered the sides of highways,
like money spilled out of a stolen bank truck.
And the best brand of flue-cured that season
paid for school clothes and car payments.

Now those fields yield cotton, far as the eye
wants to see, rows that end in dark woods.
The sharecropper shacks and tin barns lean
like old men waiting to fall, ready to die.
Fields stretch on for miles to other crossroads —
Patetown, Nahunta, Faro, Black Creek.
When a lady asks me where home is,
I pause a moment to give her an approximation,
knowing she won’t stray too far to find
what lies in a town too small for maps.
Near Goldsboro, I say, about an hour east of Raleigh.



— Michael Beadle


Morning at Fontana Lake


ghost gods of fog
float in the coves
shade a vague horizon

dawn blooms
gauzy sun
scratches of gray

stars burrow
back into
their holes

a motorboat
unzips the flesh of lake
with its wake

things stir between trees
jazzy bees
bushy-tailed thieves
birds the size of fruit
perch on the deck
jerk their necks

silver creeks
mint stone coins
plenty for skipping


— Michael Beadle

Sunday, March 1, 2009

FREELANCE WRITERS NEEDED FOR MOUNTAIN MAGAZINE

Smoky Mountain Living is looking for freelance writers, especially from the far corner of the state and north Ga.
The magazine's website is http://www.smliv.com/
You will find guidelines there for submitting stories. Please send sample stories of your work and a cover letter to...

Scott McLeod, editor-in-chief
Smoky Mountain Living
P.O. Box 629
Waynesville, NC 28786

Payment ranges from $150-$450 per story (depending on the length of the story) and comes after publication. Contributing writers get a free copy of the magazine. The publication goes all over the country, but is mainly found in NC, SC, GA and FL. Currently, they publish four issues a year, but next year, they're planning to come out every other month.

Poets, Simpson and Moore, will read at Coffee with the Poets

Janice Townley Moore




Nancy Simpson and Janice Townley Moore are two of the NC poets who had poems included in the new bird anthology titled THE POETS GUIDE TO THE BIRDS. Both of these poets live and write in the Southern Appalachian Mountains. The anthology contains only bird poems, some of them by the most noted poets writing in America today. It was edited by Judith Kitchen and Ted Kooser and published at Anhinga Press, Tallahassee, Florida, 2009.
Janice Townley Moore's poem is "Teaching the Robins." This is the title poem of her chapbook Teaching the Robins published at Finishing Line Press, 2005.
Nancy Simpson's poem is a previously unpublished poem titled "Carolina Bluebirds."The Poets Guide to the Birds is available at http://www.anhingapress.com/, http://www.amazon.com/, and at Phillips and Lloyd bookstore on the square in Hayesville, NC.

Both Simpson and Moore are featured readers of their poetry at Coffee with the Poets in Hayesville, NC at Phillips and Lloyd bookstore on March 11, 10:30 AM.
Poets reading at open mic are invited to bring their poems about birds. Everyone is invited to come and listen or read while munching on delicacies from Crumpets Dessertery.

Saturday, February 28, 2009

A STORY BY GARY CARDEN

LISTEN TO THE MOCKING BIRD

When I remember my grandfather now, it seems he was a pretty somber fellow…maybe even a bit grim. Members of the family would sometimes confide to me that he had never gotten over my father’s death, and I did know that he had banished all of the musical instruments to the attic.
“There won’t be any more music in this house,” he said.
Often, I would prowl around up there where a fiddle, a banjo and a guitar stood quietly in a corner, like chastened children.
But sometimes, on summer nights, when we sat on the porch and listened to the rain crows on Painter Knob, my grandfather would smile and hum a bit of some old song.
“Can I sleep in your barn tonight, mister?
It is cold lying out on the ground.
The cold north wind is a-blowing,
And I have no place to lie down.”

Then, he would get up and retrieve his old tuning fork from the mantle above the fireplace, strike it against his kneecap or the heel of his hand and intone:
“Doo, doo, doo. Meee, mee, meee!”
Then, he was off on a singing bender.
He loved old quartet pieces that allowed him to sing several parts.
“Come to the church in the wildwood,
Oh, come to the church in the dell!”
Or
“Listen to the mockingbird!
Oh, listen to the mockingbird!
The mockingbird is singing o’er her grave.”

My grandmother would look at me and smile, but she was also a little nervous. When my grandfather had sudden bursts of good will, he did peculiar things.
Like the night he went to visit his friend, Walter Potts. My grandfather had known Walter all of his life. Both men had been born in Cowee in Macon County, and now, oddly enough, they were neighbors.

When we sat on our porch on summer nights, we could see a kerosene lamp on the front porch of the Potts house where Walter and his wife, Sara sat, rocking in the darkness.

As best as I can remember, the events of the “Walter Potts Night” began with laughter. My grandfather had been staring for some time at the Potts house, and had even talked a bit about Walter. My grandfather recalled numerous pranks he had played on Walter when the two boys worked in a sawmill. It seemed that Walter was such a good-natured soul, my grandfather couldn’t resist tormenting him.

Then, my grandfather grew quiet for a while. Eventually, he gave a little chuckle, and then he laughed outright. Suddenly, he rose and went in the house. In a moment, he said, “Come and help me, Agnes.”
My grandmother looked at me and shook her head. “Hold onto your hat,” she said and went into the house.
When I attempted to follow, my grandfather said, “Gar-Nell, you stay outside.” And, so I did.

There was a lot of loud, incoherent talking from my grandparent’s bedroom. My grandmother seemed to be objecting to something and frequently said, “Arthur, you can’t do that!” but my grandfather’s laughter drowned her out.

When my grandfather emerged, I had trouble recognizing him. He had on my grandmother’s “going to town” dress. His cheeks were rouged and he had on lipstick. His eyebrows had been darkened, his eyelashes were laden with mascara and a string of dime-store pearls hung around his neck. His head was wrapped in a huge kerchief. He smirked and batted his eyes at me.
“You stay here, Gar-Nell.”
I didn’t say anything, but I had no intention missing this! He was carrying his big Rayovac flashlight and as soon as he was out of sight, I ran for the pasture above our house – a pasture that ended just above the Potts house.

When I crawled up under a big rhododendron bush above the front porch of the Potts House, my grandfather was already there, standing in the moonlit road below the porch. He had a little lace handkerchief and he dabbed his eyes as he talked in a high falsetto.
“Walter, don’t you remember me?” Grandpa did a pretty good imitation of weeping. “Oh, Walter, how could you forget?”
Walter and Sara were standing on the porch, their mouths agape as my grandfather dabbed his eyes and said, “Come down here and talk to me.” “You got me confused with someone else,” said Walter.
“I’ve rode the bus all the way from Waycross, and I’m not leaving until you talk to me.”
“Do you know that woman, Walter?” said Sara.
“No, I don’t. Never seen her.”
“How come she knows your name and where you live?”
“We need to talk about … Willie,” said my grandfather. “You remember Willie, don’t you?”
“No, I don’t. Listen, you crazy woman, you better get out of here, if you know what’s good for you.”

I noticed that Sara had vanished from the porch. When she reappeared in the yard, she was picking up green walnuts from the big black walnut tree by the spring. Then, she wound up and threw one, and it hit my grandfather in the side of the head.
“Ka-thunk!” That had to hurt. “Ka-thunk! Ka-thunk! Ka-thunk!”
I don’t think that Sara missed more than once or twice. My grandfather was in full retreat and Sara was in pursuit. He finally broke into a hobbling run, dropping his flashlight and leaving one of my grandmother’s “sensible shoes” in the road in a litter of smooched walnuts. Sara followed for a short distance and then stood in the middle of the road with her hands on her hips. She yelled some colorful insults that included “Hussy” and “Jezabel,” before she returned to the porch.
“When was you ever in Waycross?” she asked Walter.
“Never,” said Walter.
Sara went in the house and slammed the door. Eventually, Walter followed her, still proclaiming his innocence.
When I got back to our porch, my grandmother was dabbing iodine on grandpa’s face. He was banged up pretty good, and he did have some pretty good bruises the next day; but that night, even with a black eye and some loose teeth, he was laughing.

“What if she had shot you?” said my grandmother. “But she didn’t,” chuckled my grandfather.
“When you start this foolishness, you get carried away.”

Late into the night, I could still hear him imitating Walter’s “I think you got me confused with somebody else,” and laughing.

Walter brought grandpa’s flashlight and my grandmother’s shoe back the next day, placing them on the porch and shaking his head.
“I knowed it was you all the time,” he told Grandpa. “Did, huh?”
“Why shore! Thought I’d go along with it, though, just to see how far you’d go.” He left shaking his head. Grandpa winked at me, and said, “Like hell he did!”

The visit to Walter Potts took place over sixty years ago, but recently, I told a psychologist/friend about it and he said, “Your grandfather was a manic depressive.” He went on to explain that this mental ailment was characterized by abrupt shifts in mood: from depression to a kind of manic glee. I have to admit it sounded like my grandfather. I also asked the friend if manic-depressives were dangerous. He shook his head. He said that in actual fact they were common. “Other than those occasional shifts in mood, I imagine your grandfather was a good father and a reasonably stable fellow.”

Then, he smiled and said, “Studies indicate that mild mania and depression is a common trait of creative people … actors, writers and storytellers.”
"Storytellers, huh?”
“Oh, yes.”
“Well, thanks for the free diagnosis,” I said. I left him sitting there. He could pay for his own coffee.

I’ve been trying to think if I have ever behaved in a manner that could be called “manic.” …….Naw, I don’t think so.

Thursday, February 26, 2009

Jessy tells it like it is

I want to introduce you to a brave, spunky, and lively young woman. Her name is Jessy and she writes a column for a local newspaper and also publishes these columns on her blog.
Please click on and leave her a comment. I think you will find her an unbelieveable twenty something who just won't quit.
http://canswercolumn.blogspot.com/

Ed Southern, Exe. Director for NCWN, readings



This is what our Exe. Director, Ed Southern is up to these days:


Feb 26,


Quail Ridge Books, 3522 Wade Ave., Raleigh NCWN Executive Director Ed Southern will read from his new book, Voices of the American Revolution in the Carolinas. This story of the American Revolution, told by those who fought it, gives the reader some idea of what it was like to be part of a war when two states were ripped apart, but a nation was made.
Fri., Mar. 6, 5:00 p.m.Waldenbooks, 120 Market Street, Charleston, SC
Fri., Mar. 13, 7:00 p.m.Barnes & Noble, 1925 Hampton Inn Court, Winston-Salem
Sat., Mar. 14, 12:00-2:00 p.m.Guilford Courthouse National Military Park, 2332 New Garden St., Greensboro

Nâzım Hikmet Poetry Festival

I've just received word of this new poetry festival and competition, after being invited to serve as one of the judges. I hope some of you in Netwest territory will submit work. Kathryn Byer

**************************************
NAZIM HIKMET POETRY FESTIVAL

“To live! Like a tree alone and free, Like a forest in brotherhood”

Nâzım Hikmet Ran
Greatest Modern Turkish Poet



CALL FOR SUBMISSIONS

Named in honor of the distinguished Turkish poet, the Nâzım Hikmet Poetry Festival will be held for the first time
on Sunday, April 19, 2009 in Raleigh, North Carolina. This event will include Nâzım’s poetry, a look at his life,
and readings of poems by the area poets.

As we bring together poets and poetry lovers, participation of the area poets will be an essential part of this
Festival. Interested poets are invited to submit their poems to the Festival Committee by Wednesday, April 1,
2009. Selected poems will be published on-line at the Festival web site as well as in the Festival Booklet, and the
poets will be invited to read their poems at the Festival.

More information is available at the Festival website: www.nazimhikmetpoetryfestival.org


ABOUT NÂZIM HIKMET:

Nâzım Hikmet Ran (1902 –1963), commonly known as Nâzım Hikmet, was a Turkish poet, playwright, and novelist.
He was recognized as the first and foremost modern Turkish poet, and regarded throughout the world as one of the
greatest poets of the twentieth century for the "lyrical flow of his statements”. Described as a "romantic
revolutionary", his humanistic views are universal.

His poetry has been translated into more than fifty languages. UNESCO declared 2002 the "Year of Nâzım Hikmet"
on the occasion of what would have been his 100th birthday. He received the World Peace Prize (the USSR's
equivalent of the Nobel) in 1950. Even though he faced many challenges in his life, he always remained optimistic
about the future.

His poetry reflects his undiminishing hope for social justice, his love of life, and longing for his homeland.


ABOUT THE ORGANIZERS:

This event is organized by
American Turkish Association of North Carolina ( www.ata-nc.org ) and
Gregg Museum of Art & Design, North Carolina State University ( http://gad.ncsu.edu/ ).

Organizing committee:
Buket Aydemir, Pelin Balı, Mehmet Öztürk, and Birgül Tuzlalı

Contact: contact@nazimhikmetpoetryfestival.org

Event Location: The Gregg Museum of Art & Design, Talley Student Center, NCSU




GENERAL RULES
Deadline
Entries received by Wednesday, April 1, 2009 will be considered for selection.

Submission Requirements

 All entries MUST be submitted via www.nazimhikmetpoetryfestival.org
 All poems submitted to the Festival must be unpublished, original works.
 Each poet can submit up to three poems.
 The poems should be written in English.
 The selected poems will be published on-line at the Festival web site as well as in the Festival Booklet which
will be distributed during the Festival.
 The poets will retain the copyright of their poems.

Selection & Notification

 Submitted poems will be evaluated anonymously and the names of the poets or their contact information will
not be disclosed to the members of the Selection Committee.
 The contact listed on the entry form will be notified of their poem’s status via e-mail by April 12, 2009.

POETRY SELECTION COMMITTEE:

Kathryn Stripling Byer, NC Poet Laureate
Jon Thompson, Professor, Department of English, NC State University
Greg Dawes, Professor, Department of Foreign Languages and Literatures, NC State University
Erdag Göknar, Assistant Professor of Turkish Studies, Slavic & Eurasian Studies Dept., Duke University
Joseph Donahue, Senior Lecturing Fellow, Department of English, Duke University
Hatice Örün Öztürk (ATA-NC Representative), Associate Professor, Department of ECE, NC State University

TENTATIVE FESTIVAL PROGRAM:

Opening Remarks
Greg Dawes, Professor, Department of Foreign Languages And Literatures, NC State University

Talks on Nâzım Hikmet's life and poetry:
Erdag Göknar, Assistant Professor of Turkish Studies, Slavic & Eurasian Studies Dept., Duke University
Güven Güzeldere, Associate Professor, Philosophy Department, Duke University

Nâzım reading his poetry – a recording of his voice: In Turkish with English translations available

Fazil Say’s Nâzım: An oratorical composition of one of Nâzım’s poems in Turkish with English subtitles

Poetry Reading: Nâzım Hikmet’s poetry in English

Poetry Reading: Selected poems from the entries

Refreshments

A documentary on Nâzım Hikmet's life – In Turkish with English subtitles
Blue Eyed Giant / Mavi Gözlü Dev, directed by Biket Ilhan (2007)

Wednesday, February 25, 2009

Blue Ridge Book and Author Showcase in Black Rock, NC May 8-9

Don't miss this huge event for authors and anyone who loves to read and write. Robert Morgan, Kathryn Stripling Byer, Sharyn McCrumb, Vicki Lane, Joan Medlicott, Gary Carter, Sheila Kay Adams, Keith Flynn and many other writers and poets will be in Hendersonville NC on May 9 to speak, read, and sign thier books.

Below is a partial listing of events. Check out the website to get all information including directions, lodging, etc. Tables are available for authors to sign and sell their books.

A great opportunity for writers in the western area of North Carolina to network with authors, poets and many people in the literary community.

9:00-9:10 AM Robert Morgan -- Welcome & Keynote Introduction Conference Hall/Gala
9:10-9:50 AM
Sharyn McCrumb -- Keynote Address: Finding truth in fiction -- Conference Hall/Gala
10:00-11:00 AM
(Concurrent Sessions) Louise Bailey -- The historical and cultural dimensions of Henderson County -- Conference Hall/Gala
10:00-11:00 AM Vickie Lane -- Appalachian mysteries
Conference Hall/Cortland
10:00-11:00 AM
Rose Senehi -- Romantic thrillers threaded with environmental themes Conference Hall/Macintosh
10:00-11:15 AM Student Presentations School-age writing talent to the
microphone -- Classroom 213
11:00-11:30 AM
Author display tables open. Book sales signings, author/public interaction.
Perimeter corridors.**
11:30 AM-12:30 PM
(Concurrent Sessions) Sheila Kay Adams -- Historical novels; mountain culture in storytelling and ballad style Conference Hall/Gala
11:30 AM-12:30 PM Keith Flynn - Inside the poetry genre
Conference Hall/Cortland
11:30 AM-12:30 PM Charles F. Price - Historical fiction
Conference Hall/Macintosh
11:30 AM-12:30 PM Student Presentations -- School-age writing talent to the microphone Classroom 213
12:30-1:45 PM Lunch Break ORDER YOUR BOX LUNCH! See website for ordering information.
1:45-2:15 PM Author display tables open. Book sales signings, author/public interaction.
Perimeter corridors.**
2:15-3:15 PM
(Concurrent Sessions) Kathryn Stripling Byer -- Poet Laureate of North Carolina Conference Hall/Gala
2:15-3:15 PM
(Concurrent Sessions) Joan Medlicott -- Never too late to become a published author-- Conference Hall/Cortland
2:15-3:15 PM
(Concurrent Sessions) Gary Carden -- Western North Carolina storytelling and folklore -- Conference Hall/Macintosh
2:15-3:15 PM
(Concurrent Sessions) Marvin Cole -- Character portrayal of Mark Twain Room 213
3:15-3:45 PM Author display tables open. Book sales signings, author/public interaction.
Perimeter corridors.**
3:45-4:45 PM
(Concurrent Sessions) Robert Morgan -- Boone’s Legacy Reaches to the
Pacific -- Conference Hall/Gala
3:45-4:45 PM
(Concurrent Sessions) Peggy Collins -- “The Self-Sufficiency Syndrome”—Learning to accept help -- Conference Hall/Cortland
3:45-4:45 PM
(Concurrent Sessions) Jeff Biggers -- The Appalachian character and other memoirs -- Conference Hall/Macintosh
3:45-4:45 PM
(Concurrent Sessions) Steve Kirk -- Navigating the publishing labyrinth Room 213
4:45-5:30 PM Author display tables open. Book sales signings, author/public interaction.
Perimeter corridors.**
**Note: At the discretion of exhibiting authors, many display tables will be open to visitors throughout the program hours
in order to accommodate intermittent patron arrivals and departures and to allow for optional attendance at scheduled
program sessions.

Sunday, February 22, 2009

Carole Thompson, words on love



Our Georgia Netwest Rep offers thoughts on mature marriage and love.

Check out this writer's work.

CWP, March 11, is for the Birds

Are you a bird watcher? A Lover of the natural world? Nancy Simpson and Janice Townley Moore are two of the NC poets who had poems included in the new bird anthology titled THE POETS GUIDE TO THE BIRDS. Both of these poets live and write in the Southern Appalachian Mountains. The anthology contains only bird poems, some of them by the most noted poets writing in America today. It was edited by Judith Kitchen and Ted Kooser and published at Anhinga Press, Tallahassee, Florida, 2009.

Janice Townley Moore's poem is "Teaching the Robins." This is the title poem of her chapbook Teaching the Robins published at Finishing Line Press, 2005.

Nancy Simpson's poem is a previously unpublished poem titled "Carolina Bluebirds."
The Poets Guide to th Birds is available at http://www.anhingapress.com/, http://www.amazon.com/, and at Phillips and Lloyd bookstore on the square in Hayesville, NC.


Both Simpson and Moore are featured readers of their poetry at Coffee with the Poets in Hayesville, NC at Phillips and Lloyd bookstore on March 11, 10:30 AM.

Poets reading at open mic are invited to bring their poems about birds. Everyone is invited to come and listen or read while munching on delicacies from Crumpets Dessertery.