Showing posts with label Asheville. Show all posts
Showing posts with label Asheville. Show all posts

Friday, June 5, 2020

Online Writing Classes with some top writers


A few weeks ago, I received this notice from The Writers' Workshop in Asheville, NC. Now we can all benefit from these classes because
they are online. You don't have to drive to Asheville or stay overnight.

THE WRITERS' WORKSHOP
387 Beaucatcher Road
Asheville, NC 28805

                                             
 WRITING CLASSES ON-LINE!!

JUNE 27:  FICTION CLASS with Karen Ackerson
The class will learn the essentials of a good story or novel. Character and conflict are key elements that will be discussed, including creating a sense of place, dialogue, and enhancing one's writing style. Students may bring up to five pages to the class for review. Ackerson has taught fiction writing for over 25 years. As Senior Editor at The Renbourne Editorial Agency, she has edited over 500 novels and memoirs.


JULY 11:  WRITE YOUR LIFE with Richard Krawiec
        In this supportive writing-intensive class, participants will learn how to draw on the "material" of their lives to write and revise memoirs, stories, or plays. Elements covered include time compression and expansion, theme, recognizing your purpose, and developing your piece professionally. 
Krawiec is the founder of Jacar Press, and the author of numerous books such as "Breakdown: A Father's Story", "Faith in What?", and "Time Sharing". His work is published in numerous journals including Shenandoah, Florida Review, and N.C. Literary Review.


JULY 25:  SCREENWRITING WORKSHOP with Nathan Ross Freeman
 The class will learn all aspects of writing the screenplay, including formatting, characterization, sequence structures, and how to adapt any genre to a screenplay. Freeman’s credits include the feature films Gem and Mr. Bones, the official selection of major film festivals; and Authoring Action, awarded 2010 Best Documentary in the U.K.  He has taught at UNC-C and Salem College.

AUGUST 8:  HOW TO POLISH YOUR OWN WORK with Karen Ackerson
Writers of fiction and non-fiction books and stories will learn how to revise and polish their works before submitting to an agent or publisher. Techniques will be taught on how to grab the reader's interest by eliminating unnecessary details, building tension, and fine-tuning dialogue and descriptions. Participants may bring five pages (double-spaced) to the class for discussion. Ackerson is Senior Editor at The Renbourne Editorial Agency (www.renbourne.com), and has edited hundreds of novels, memoirs and creative non-fiction stories. 


Karen Ackerson, Exec. Director
The Writers' Workshop
387 Beaucatcher Rd.
Asheville, NC 28805

828-254-8111
www.twwoa.org



Sunday, August 27, 2017

The Writers' Workshop, Asheville, NC, hosts Autumn writing workshops, contests and a retreat



THE WRITERS' WORKSHOP
387 Beaucatcher Road
Asheville, NC 28805

    AUTUMN WORKSHOPS, CONTESTS & RETREAT

    The Writers' Workshop is offering classes and contests for beginning and experienced writers. Each class meets on Saturdays, 10-4 pm, at 387 Beaucatcher Rd., Asheville. Registration is in advance only, at www.twwoa.org.
    Classes are $75 each, or $70 for Workshop members. Financial assistance is available for low-income writers in exchange for volunteering. 
For more info, contact writersw@gmail.com or call 828-254-8111.
 * * * * * * *
 AUG. 30  FICTION CONTEST DEADLINE!! (Postmarked or emailed)
 (for guidelines, see twwoa.org)
 * * * * * * *
Sept. 5 Deadline to RSVP: 

WRITERS'  RETREAT at FOLLY BEACH, SC  OCT. 5-8

(For details, see twwoa.org. Please RSVP by Sept. 5!
  * * * * * * *
ASHEVILLE WORKSHOPS

These one-day intensive workshops meet on Saturdays, 10-4 pm, at 387 Beaucatcher Rd., Asheville. Registration is in advance only, at twwoa.org. Financial assistance is available for low-income writers. For more info, contact  writersw@gmail.com or call 828-254-8111.
 
SEPT. 16:  FICTION WORKSHOP with MILDRED BARYA 
 Participants will learn new techniques for writing fiction, focusing on the craft of the narrative structure. Discussion will include characterization, point of view, setting, plot, and dialogue. Imagery, irony and other aspects of the craft will also be explored. Students will engage in writing exercises, and may bring 3 pages and/or a synopsis to the class.
Barya teaches Creative Writing and Literature at UNC-Asheville. Her stories and poems have been published in anthologies and journals such as Tin HousePrairie Schooner, Poetry Quarterly, Per Contra and Northeast Review
She holds a Ph.D. in English from the University of Denver.
Meets Saturday, 10-4 pm. $75/70 members.

OCT. 7:  PUBLISHING OPTIONS with RICHARD KRAWIEK
The opportunities for writers to publish can be very confusing. Self-publishing, vanity press, co-operative publishing, traditional publishing - what are the options and choices?  And how will the choice you make affect your own writing career? In this workshop we'll look at the various publishing models, their pros and cons, and determine which ones would suit the needs of each student in the class. 
Krawiek has been involved in the publishing scene since the 1970s.  He is founder of Jacar Press, which has published established writers such as Kathryn Stripling Byer and Dorianne Laux, as well as first timers. Jacar's anthology, Resisting Arrest Poems to Stretch the Sky was named one of the year's best by review journals in Canada and the U.S.  His own work appears in the U.S., Europe and South America.
Meets Saturday, 10-4 pm. $75/70 members.

            OCT. 21:  WRITING FROM the TOP of YOUR HEAD with NINA HART
 Writers will learn innovate ways to generate fresh material, avoid writer's block and tap into their creative side. The class will be guided towards accessing the inner voice through KaizenMuse Creativity methods, evocative "timed writes", and lively class readings and discussions. Hart is a writer and creativity coach trained in the Kaizen Muse method. She is also certified by the Gateless Method - "a method of teaching the art and craft of writing using creative brain science, allowing writers to access the creative genius inside". Her first collection of short stories, Somewhere in a Town You Never Knew Existed, was a finalist in Foreword Review Book of the Year Award.
Meets Saturday, 10-4 pm. $75/70 members.

NOV. 4:  WRITING YOUR MEMOIRS with KAREN ACKERSON
 Participants will learn how to turn personal and family experiences into a compelling memoir for family and friends, or for publication. In-class writing exercises will help to identify life-changing events, to be used as the backbone of a memoir. Discussion will include creating a sense of place, dialogue, and enhancing one's writing style. Writers may bring up to five pages (double-spaced) to the class for review.
Ackerson, a biographer and Senior Editor at The Renbourne Editorial Agency, has taught workshops throughout the Southeast for over twenty years.
Meets Saturday, 10-4 pm. $75/70 members.

NOV. 18:  POETRY and TENSION with ERIC NELSON
 Conflict-or tension-is indispensable to successful poetry, providing the driving force of the poem as well as its depth and complexity. Writers of all levels will explore different kinds of poetic tension, from the most subtle, such as haiku, to the most obvious (such as epics) through reading and discussion of examples, and by creating tension in our own poems through prompts and exercises.
Nelson's six books include the award winning collections Some Wonder (Gival Press Poetry Award); Terrestrials (Texas Review Poetry Award); and The Interpretation of Waking Life (U. of Arkansas Poetry Award). He has taught poetry at GA Southern University for 26 years.
Meets Saturday, 10-4 pm. $75/70 members.
 * * * * * * *

 MEMOIRS CONTEST
Deadline: Postmarked by Nov. 30, 2017.

AWARDS:
1st Place: Choice of a 2 night stay at our Mountain Muse B&B, 3 free workshops, or 50 pages line-edited and revised by our editorial staff
2nd Place: Two free workshops, or 35 pages line-edited
3rd Place: Choice of 1 free workshop, or 25 pages line-edited
Up to 10 Honorable Mentions

GUIDELINES:
  • Submit a short story or chapter of a novel of 5,000 words or less.  Multiple entries are accepted.  
  • Pages should be paper clipped, with your name, address, phone and title of work on a cover sheet. Double-space, and use 12 point font.
  • The entry fee per submission is $25 ($20 for Workshop members), and is payable online.
  • Enclose self-addressed stamped envelope for critique and list of winners, if sending by mail.
  • Make check or money order payable to The Writers' Workshop, and mail to:  Memoirs Contest, 387 Beaucatcher Road, Asheville, NC  28805.
  • Emailed submissions may be sent to writersw@gmail.com, with "Memoirs Contest" in the subject. Send in Word Document only.  Please put your contact info on the first page. 
  • The entry fee is payable online at www.twwoa.org.
* * * * * * *

Contact Information
phone: 828-254-8111
email: writersw@gmail.com
website: www.twwoa.org 

Saturday, July 4, 2015

Fall Conference in Asheville NC - Put this date on your calendar now


November 20-22,  2015 in Asheville, NC - The Fall Conference attracts hundreds of writers from around the country and provides a weekend full of activities that include lunch and dinner banquets with readings, keynotes, tracks in several genres, open mic sessions, and the opportunity for one-on-one manuscript critiques with editors or agents. 

Conference faculty include professional writers from North Carolina and beyond. Held every year in a major hotel, the conference rotates annually.

Rates TBA

Saturday, March 20, 2010

CANDY MAIER SCHOLARSHIP FUND BOOK FAIR

WHAT: A BOOK FAIR FOR SELF-PUBLISHED WRITERS OF THE AREA

WHERE: KENILWORTH PRESBYTERIAN CHURCH, ASHEVILLE

WHEN: SATURDAY, MAY 15, 2010—FROM 10:00 until 4:00
BRING YOUR OWN BOOKS (BYOBOOKS)
NO BOOKSTORE INVOLVED—YOU HANDLE YOUR OWN SALES

PLUS

A USED BOOK TABLE (donations appreciated)

A TABLE OF DISCOUNT BOOKS (one book from each attending author)

SILENT AUCTION AND RAFFLE

HOMEMADE GOODIES

HANDMADE JEWELRY AND CARDS

LOCAL PUBLISHERS


SPONSORED BY THE CANDY MAIER SCHOLARSHIP FUND FOR WOMEN WRITERS

Website: http://www.thecandyfund.org/
Contact Celia Miles for more information: Celia Miles

A $10.00 participation fee is required.

Saturday, May 16, 2009

Friday, June 27, 2008

Broca's Aphasia, a personal essay by John Malone

Why was Rosie the dog scratching at the closed bedroom door? Or, rather, why was the white, furry thing with the licking tongue and anxious, pawing feet trying to get into our dark bedroom? Because I did not really think of the word “dog.” Somehow I knew I had to open the door to stop the commotion outside. But why did getting up and opening the door require so much effort? I felt so heavy and weak, unsteady on my bare feet on the cold hardwood floor. I groped in the dark for the door handle for what seemed like a long time, fumbling first on the wrong edge of the door, the one attached to the hinges. Finally, my fingers closed around the cool, smooth metal, or were they my fingers? Was it a “handle?” The door opened, and Rosie came bounding into the room, jumping into our bed. She was frightened, I knew, but why? I climbed back into bed beside my sleeping wife, with Rosie in the middle between us. She began licking my face and exploring my body with her paws, as if trying to find something wrong.
Finally she calmed down, and we all went to sleep again. But I could not really sleep. Something was wrong with me, I knew. I couldn’t think straight. Every movement took a lot of concentration and effort, as if I were moving my body by remote control from a long way off. I began to panic. I got up again and went to the bathroom, only to discover that I had soiled myself. Take off clothes. Get in little glass room with water coming down. Clean myself. Back in bed. Try to sleep.

We were awake, and Christa was worried, I could tell. Or was she “Christa?” And who was I? Where were we? What day was it? I had no idea. Christa asked me if she should call 911. I couldn’t reply but simply nodded, tears forming in my eyes. I was scared. She helped me to dress and we went out to the front porch to await the EMS ambulance. Feeling unsteady on my feet, about to tip over, I practiced walking up and down and up and down the long porch while we waited, being very careful not to fall over the edge. Finally they arrived, a man and a woman, both large, strong, gentle people. He was “Michael,” he said, and he gave me an aspirin with his latex-encased fingers. He kept trying to get me to talk, but I couldn’t remember any words. The woman drove the ambulance while Michael wired me up to his computer and began talking on the radio to the new ER at Haywood Regional Medical Center. I guess Christa followed us there in her car, because there she was when we arrived there. I began to feel relieved.
But there was no neurologist at HRMC that day and none on call. I later learned that the hospital had an MRI machine, but no neurologist would be on duty until Friday, two days later, to read the images. The nurse started an IV and put me on oxygen. We waited for what seemed like hours while different people came in and either checked me or ignored me. Finally, a nice ER doctor in a white coat with “Dr. Kelley” embroidered on it in dark blue, showed up. Christa was talking to the doctor and calling people on her cell phone. I knew who they were, but I couldn’t think of their names. Someone asked me what my mother’s name was. I couldn’t say. I felt ashamed. Christa was crying. She asked me what color her eyes were. It was a memory test, but I cheated. I looked into her red-rimmed eyes and said, “They’re sort of pink!” She and I both laughed for the first time. She sat beside me and fed me pieces of my lunch from a white Styrofoam take-out box. A pork cutlet, mashed potatoes, gravy and corn with a soft roll. I chewed some gingerly, afraid at first to swallow. As we shared the lunch, I felt the nourishment and her love enter me, warming and strengthening me, easing my fear. Doctor Kelley returned. Good news. Another ambulance was coming soon to take me to Mission Hospital in Asheville.

As the ambulance bounced along I-40 East, the EMT, this time a woman, kept up a steady conversation, trying to engage me. I did the best I could to reply, but kept hitting blank spots. Did I know what day it was, what year? No. But a few names were slowly coming back to me, emerging from the fog in my brain. The children, my sisters. Lying on my back, I watched beautiful fall leaves, clouds and sunshine rolling by the ambulance windows while the woman kept talking and checking my vital signs. It was a strange, blowing, blue and white sort of a day out there, promising some rain at last.

I arrived in room A-625 at the Stroke Unit on the sixth floor of Mission Hospital at 2:30 pm on Wednesday afternoon, November 14, 2007. I only know this now because it was printed on the ID bracelet attached to my wrist for two days. Christa came a little later, as did Dr. Alex Schneider, Director of Mission’s neurological services. Yes, I could have an MRI, and Dr. Schneider would read it, but the busy machine would not be available until late that night or the small hours of Thursday morning. No, I could not have a glass of water or anything else by mouth until the busy speech therapist could come and watch me swallow, maybe later in the evening. The doctor began a full neurological workup. Penlight shining into my pupils, switching up and down, side to side. More questions with no answers. Squeezing the doctor’s fingers. Pushing against his hands. Touching the end of my nose with my eyes closed. Another IV. A wireless heart monitor stuffed into the breast pocket of my hospital gown. Blood pressure 145 over 96, too high. Risk of another stroke. While all this was going on, I was still struggling to speak, to remember, anything. Did I know where I was? Painfully, I made another effort to speak. Mission Hospital? Yes! Christa smiled at the doctor. He smiled back and patted me on the shoulder.

Evening descended, and Christa, satisfied that I was finally in good hands and receiving the attention and care I needed, went back to Waynesville to feed the cats and walk the dog. The orange street lights of Asheville winked on outside the big window, which spread across the entire outside wall of my room. Strange, big sausage-shaped clouds scudded across the sky, hanging dark and low above Haywood Street on the horizon. I couldn’t have said in what direction I was looking, but the eeriness of the fast-moving storm clouds and the twinkling lights framing Asheville’s skyline mesmerized me. A nurse entered the room to take my vital signs again and offered to close the drapes. But I wanted them open, not really knowing where I was but fascinated by the tableau created by the winking lights and their reflection in the low-hanging clouds. As I lay there attached to the IV drip, it was like looking at a version of El Greco’s “Storm over Toledo” with bright orange street lights added. Finally, I slept.

The night nurse switched on the light. Time to go down for my MRI. But what time? Where? How to get there? Christa had taken my watch, along with my keys and wallet, but there was a large clock on the wall, showing that it was almost five o’clock in the morning. I had only slept an hour or two. A husky young man pushed a Gurney into the room as the nurse disconnected my IV. Then I awkwardly slid myself onto the Gurney for the ride down to the first floor. Two different elevators were required to make the transfer, first from six to three, then from three to one. Finally we arrived in the MRI suite, a chilly, humming place two floors below ground level with heavy metal doors, its walls plastered with high voltage warning signs. A cheerful young woman gleefully informed me that I was about to hear noises like I never heard before. She helped me move from the Gurney to a long metal tray a bit like the ones they use to load the big shells into the eighteen inch guns of a battleship. She strapped me down tight, put plugs in both my ears and encased my head firmly in some kind of helmet that reminded me of the thing they use to execute murderers down in Florida, whatever it’s called. Then she gave me a little rubber squeeze bulb on the end of a wire.. “If you have any problems, just squeeze this bulb, and I’ll stop the scan.”
For the next thirty minutes, in spite of the ear plugs, I was bombarded with bumps, grinds and various loud noises while my tray moved slowly in and out of a smooth white tunnel just large enough to hold my shivering body. I was afraid to squeeze the little bulb for fear that it would fire me out of the tunnel like the man fired from a cannon in the circus or eject me like the pilot of a jet fighter. I could just see the top of the woman’s head in a kind of rear-view mirror in my headgear. She was sitting inside a sound-proof control booth at a safe distance from the magnetic monster that held me in its clutches. Then, after the longest half hour of my long life, it was over, and I was gratefully on my way back to my room on the sixth floor.

My new day nurse, on whom I developed an instant crush, told me her name was Heather. She was tall and slender, graceful in her sneakers, micro-fiber slacks and sweater, with a ponytail and a little pair of granny glasses perched on her long, straight nose. Not really pretty, but very attractive. I noticed the little diamond solitaire on the third finger of her left hand. I was definitely returning to my normal girl-watching mode, a good sign of health.
In spite of the IV, I felt hungry for breakfast. Heather’s orders were “NPO” until the speech therapist could come and watch me successfully swallow a cup of water, and the speech therapist was seeing patients across Biltmore Avenue at St. Joseph’s – no telling when she would return to Mission. But a student physical therapist, a petite, child-like slip of a girl named Antoinette with a heart-shaped face and blond hair done up in a tight, businesslike bun, did arrive with her trainer. He was a tall, skinny, balding, dark-haired, fiftyish man with a Slavic accent, Russian maybe. He cracked a lot of jokes, hospital humor, I thought, to help little Antoinette relax. They invited me to go for a walk with them after first making sure I could stand on my own. No problem, I was way ahead of them. Of course, I was bent on impressing pretty little Antoinette with my manly strength and vigor. Antoinette insisted on putting a thick web belt around my middle so she could hold me upright and keep me from falling. I didn’t say anything, but, as I towered over the child, I mentally compared my two-hundred-plus pounds with her one-hundred-minus and resolved not to fall on top of her. We walked one lap around the sixth-floor corridor and then found an exit staircase for the grand finale, one flight of stairs unassisted, down and up. Then I was declared fit to navigate on my own, and my brief relationship with Antoinette and the Russian ended, just as Christa appeared outside my room, giving me a big hug and a kiss and recapturing my heart from the hospital sirens.

When the speech therapist finally showed up, a woman with shiny, perfect teeth (capped?) we went through the same rigmarole as the day before: Did I know where I was? Yes, I had that one taped. What was the date? Oops, the date had gone and changed on me since the last time. I failed that one. Open wide and say aah. The penlight shining in my eyes again. Then came tongue exercises, which I really got into, imagining myself grimacing like a Maori warrior while my eyes bulged and my tongue protruded, way out, down, up, left and right. And on and on. What finally emerged from her sounded like a sales pitch for me to come in to Mission Hospital all the way from Waynesville for speech therapy sessions after my discharge. No thanks, I’ll see how I do on my own. Somewhat grudgingly, I thought, she gave Heather permission to feed me before she left to find her next sales prospect.

The hours dragged by slowly after Christa left me that afternoon. I spent most of the time staring at the damned clock on the wall or looking out the window at the rain. Heather gave me a thick “Stroke Education Packet” and encouraged me to study it. Reading was tough at first but gradually got easier with practice. I learned a lot about what had happened to me. According to the doctor, it was probably a “TIA,” which stands for “transient ischemic attack,” a kind of mini-stroke. I already knew something about those. My father had gone through a whole series of them before he died at eighty-eight in a “memory unit” down in Florida, finally unable to recognize his wife. Bad news for me, but it could have been worse. My TIA had affected only the left hemisphere of my brain, including the speech and language center, “Broca’s brain.” A blood clot, formed along the lining of my left carotid artery, had broken off sometime while I was asleep on Tuesday night and traveled up to my brain, blocking the blood flow and causing the symptoms I had. Later the tiny clot had dissolved, blood had flowed again, and – thank God – my symptoms were slowly disappearing. As I rode home from the hospital with Christa on Friday, I was cautiously happy. The storm clouds had disappeared daring the night, and fall colors vibrated in the bright afternoon sunlight, the leaves holding tenaciously to the hardwood trees following the long drought. I felt as if we were floating a few feet above the highway, buoyed up by relief.

I still had a slight touch of “Broca’s Aphasia” – knowing what I wanted to say but unable to find the words, very frustrating for a writer – but after a few days, I fortunately returned to what I had been before the stroke, an average, absent-minded seventy-two-year-old, no better and no worse, just a little bit older and wiser. My MRI showed no permanent brain damage and my cardiology workup was normal. My blood pressure was on the high side and I needed medication for that: a coated adult aspirin and a five milligram ACE inhibitor each morning. I was now somewhat more at risk for having a full stroke. I should not drive a car until my primary care doctor approved it. But, otherwise, I was fine, thank you. Just fine. (And, best of all, I could still write!)