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Saturday, April 10, 2010

LEAH MAINES OF FINISHING LINE PRESS

Often we take for granted things we should put on the “I’m so grateful for” list. When I submitted my poetry chapbook manuscript to Finishing Line Press for the second year in a row, my only concern was having the press accept my book for publication. My mind did not take me further than the day an envelope would arrive in my box with my acceptance letter.

Now, a year later, I have to say I’m so grateful to have had the opportunity to work with Leah Maines as my editor for Now Might As Well Be Then. From day one, the entire experience went as smoothly as anyone could expect. Having no clue as to how the publishing world works, I did not know what to expect. Kevin Maines never failed to respond to any question I had and made sure I sent everything Leah would need for editing.

I had sent the wrong copy of a poem, and at the last minute, Leah exchanged it, without complaint, for the correct poem. In fact, she did everything I asked for my book. I am proud of the finished product. My family and my friends tell me they think the book is lovely. Some of my friends, Glenda Barrett, Janice Moore, Mary Ricketson, and Brenda Kay Ledford also had poetry chapbooks published by Finishing Line Press.

The information sent to me by Finishing Line Press helped me with promoting my book, and Leah has helped in other ways on Facebook.

Recently, I asked Leah if she would take time from her busy schedule and answer a few questions for me. Even though she had been ill for a week, she responded. Below is my interview with Leah Maines, Sr. Editor of Finishing Line Press.


GB: How long have you been writing and why did you start in the first place?

Leah: I started writing in college. I'm not sure why I started writing. I was working on the Licking River Review as their business manager. I loved reading the submissions. I started writing.


GB: Who or what inspired you to write?

Leah: The first few poems I wrote in college were really terrible. However, I had a friend who saw some glimmer of talent in them in spite of the "O, how I love thee" in one stanza. He told me I should keep writing, and he handed me a copy of Poetry. I turned to the poem "Splitting Wood" by Billy Collins. That single poem changed my writing life and got me forever hooked on poetry. My friend's kindness led me to the poem. He didn't tell me to forget poetry; he just gently led me down the right path.

GB: What would you say is the hardest thing about writing?

Leah: One must keep writing. Sometimes the writer loses his or her voice. This is what we call "writers block" and it can become difficult to find it once you have lost it. Life tends to get in the way once one falls into that trap. I've found that keeping a journal helps, and not putting high expectations on the craft.


GB: What do you enjoy most about writing?

Leah: The release. Just the letting go of the words. My poems tend to come to me early in the morning. They wake me from my sleep and won't allow me to go back to bed until I put pen to paper. It's the release of the words that gives me some peace and satisfaction. I don't care if anyone ever reads them now. There was a time in my life when I had to prove something--when publication meant everything to me. It doesn't matter to me anymore about my own work. I'm happy to help other people get published now. I get the same satisfaction.


GB: What advice would you give a struggling new writer or poet?

Leah: Keep submitting, and don't allow rejection letters to get you down. Everyone gets rejection letters -- everyone. Just keep at it and keep writing. And keep reading good contemporary poets. Learn from the best, and then find your own voice. Then write and keep writing. You will find publication if you don't give up.

Leah Maines served as the Northern Kentucky University Poet-in-Residence in 2000, funded in part by the National Endowment for Humanities and the Kentucky Humanities Council. She served in the position with poet Joseph Enzweiler. Leah’s book Looking to the East with Western Eyes (Finishing Line Press, 1998)was a Cincinnati/Tri-State regional Bestseller. Another book, Beyond the River (Kentucky Writers Coalition Press, 2002)was the winner of the Kentucky Writers’ Coalition Chapbook Competition.

GB: Thank you, Leah, for giving us your time and answering questions for www.netwestwriters.blogspot.com

4 comments:

  1. I enjoyed your interview with Leah Maines from Finishing Line Press. I too was effected by Billy Collins poetry and have read all his work. As a short story writer I read and re-read poetry, its ever mindful beat reminds me to keep the rhythm going in my own work. Thanks for sharing her input.
    Nancy Purcell

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  2. Glenda,
    Thank you for interviewing Leah and posting this on our NCWN-W blog. I really appreciate Kevin and Leah. They were so nice and professional when they printed my chapbooks. I'm so grate to these wonderful people and to their press. I sure hope Leah is feeling better. She is indeed a precious person.

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  3. Nancy, I'm sure many of us enjoy Billy collins' poetry. I am glad you said that poetry reading helps with prose writing. I believe that as well.
    I wish I could have used the photo Leah sent, but never could copy it to the blog. She is a lovely young woman.

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  4. Brenda Kay, you certainly know how much Leah and Kevin help their authors at Finishing Line Press. You have two beautiful books from FLP. Thanks for you comment.

    And congrats on having the winning poem for the Clay County Arts Council poety and arts contest.

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